http://musically-marx.blogspot.com/2010/01/vinnaithaandi-varuvaayaa-my-thoughts.html

Vinnaithaandi Varuvaaya has finally struck the audio stores... It was released 
with much fan fare on January 10,2010. This album is very special for A.R.R 
fans due to various reasons..

* Its the first album of A.R.Rahman in tamil after his "Double Oscars" last 
year..

* Its for the first time that the classy Gautham Menon has joined hands with 
our "Mozart of Madras" after parting ways with Harris Jayaraj..

* Moreover this album has the dubious distinction of being the first tamil 
album to be released abroad at the legendary BAFTA theatre..

Though officially released only on 10th of this month, the songs were available 
online much earlier..

Does the album live up to the hype?? Has Gautham made the right decision...Lets 
take a sneak preview into the songs..

1. Omana Pennae Singers: Benny Dayal, Kalyani Menon

This was the first song that was used in the promos of the film and it was 
officially used as a teaser in the VTV website.. Don't know how to brand 
it..May be a soft hip hop..along the lines of Enigma..Benny Dayal is an apt 
singer for this song..Voice morphing adds beauty to the song..Though, initially 
I didn't like the song, now I have started liking this song..A slow song, 
sounds great on headphones. Kalyani Menon's FM radio processed voice adds a 
different sound to this song. If one observes closely, one can find a 
synthesised Nadhaswaram by Natarajan or is it the Continuum?? It squeezes its 
presence amidst the gentle beats and strings section. Bells continue throughout 
the song along with synth bass creates a nice reverb feel to the song..The post 
lude is again an experimentation in Tamil(Remember Rehna Tu-Delhi 6???).A feel 
good song to start the album..

Rating: 8.5/10



2. Anbil Avan Singers: Devan Ekambaram, Chinmayee
While the first song was a soft soothing number, Rahman shows his class in fast 
rhythms..Its a great energetic song aimed at the younger generation but the 
maestro still experiments..The song has a pulsating beat with neat choir chorus 
section. Rahman has mixed his favorite mridangam along with the rhythm 
section.Devan and Chinmayee are at their best particularly Devan is at his 
expressive best after a very long time..The song clearly explains the scenario 
where the hero falls in love with a Malayali christian girl..Here Rahman is at 
his best fusing both the church organ and the our own traditional Hindu wedding 
music..A nice upbeat song..

Rating: 9/10



3. Vinnaithaandi Varuvaayaa Singer: Karthik Additional vox : Vivek Agarwal

The song has a strong blues feel to it..Its nice to hear acoustic guitar after 
a very long time. The song has minimal orchestration but it has a feel good 
factor to it..It weaves magic and its a aural pleasure to hear the classy 
Karthik render the song so effortlessly..Its one of those Beatles' sounding 
classy number and Karthik just carries this song to greater heights.. Subtle 
usage of Music box, reverse cymbals,brass,horns and strings adds beauty to the 
song..Thaamarai's lyrics are classic as usual..A dream song..

Rating: 9.5/10



4. Hosanna Singer: Vijay Prakash, Blaze, Suzanne
This is my pick of the album. This is pure vintage A.R.Rahman stuff. Rahman has 
created a startling melody number hovering around the word Hosanna. This song 
captures the listeners instantly.The prelude stars with strings section and 
lovely flute well complemented by nice harmony section. The beats remind us of 
"Azhagiya Cindrella". But the similarity ends there. Vijay Prakash again stamps 
his authority in this song. He renders so effortlessly and rap section by 
Blaaze is very refreshing..Suzanne does a commendable job. Thaamarai's lyrics 
are great describing a man's love towards his lady love..The string section and 
subtle arpeggios deserves a special mention. Rahman keeps on experimenting with 
different world genres..It sounds like soft hip hop or is it reggae???

Reverse cymbals,flutes,guitar strummings throughout the song elevates the song. 
Vijay Prakash's singing after 4.40 is absolute aural treat. String 
section,flutes,church bells/gamelan and brass/horn end the song in full 
flourish..

Rating: 10/10



5. Kannukul Kannai Singer: Naresh Iyer

Kannukul Kannai is again an uptempo fast paced song aimed at the disco 
generation. Rahman's experimentation never ceases..This time, he starts the 
song with nice Celtic styled strings..Naresh Iyer is at his energetic best.
Thaamarai's lyrics spell magic. Very unconventional tune. It has an 
international feel to it. Rahman has done similar numbers before. It sounds 
deja vu at certain places. It slightly reminds me of an old Rahman number 
"Ilamai" in God Father. Rahman's vintage style is evident in his catchy rhythm 
section. The Eurogate like sequence and electric guitar complement the song 
adequately.

Rating: 8.5/10



6. Mannipaya

Singer: A R Rahman, Shreya Ghoshal

Finally A.R.Rahman strikes another gold in this magical number. The maestro 
weaves magic along with the sweet Shreya Ghosal. She is a standing testimony to 
all her counterparts as she takes extra care with her pronounciations. She is 
an absolute treat to hear. Thaamarai's lyrics tell another story about a 
women's apology to her lover.Usually Rahman croons the best in his album, but 
for the first time, I thought Srinivas or Naresh Iyer would have been a better 
choice.
A.R.Rahman has again experimented with this song. He has always broken set 
patterns and sounds in his songs.
Again this song has no Charanam and Pallavi. Its a bit of gamble and it has 
paid off. Thaamarai seems to have relished the challenge. The orchestration is 
top class. Horns, Strings,flutes,cymbals, electric pianos, guitars and soft 
beat section with bass adds majesty to this song. 

Wait the surprise is yet to come..

Suddenly from no where, we hear Thirukkural couplets emphasising on forgiveness 
and love..A great song to hear..This will remain as one of ARR's vintage 
classics for times to come..

Rating: 10/10



7. Aaromalae (Malayalam song) Singer: Alphonse

As Guatham Menon mentioned in one of his interviews, this one was added after 
Rahman had moulded a Mallu rock number rendered effortlessly by Aphonse , a 
music director himself. Lyrics in Malayalam is penned by Kaithapram. The songs 
starts off in a "Single Wild West Glide" style. The song falls on the lines of 
Psychedelic Rock and has shades of Pink Floyd ("Wish you were here") and has 
shades of Led Zepplin and Jimi Hendrix . It seems the wizard has again 
experimented with raag "Bhagyashree". This is a classic example of "Psychedelic 
Rock" meeting raag Bhagyashree (who can forget "Kannum Kannum Kollai Adithaal" 
from Thiruda Thiruda set in Sivaranajni??) Its an absolute magical number that 
Rahman can alone create..

Rating: 10/10


Conclusion: 

Harris' loss is Rahman's gain. More than Rahman, its Gautham Menon's gain. 
Together GVM and Harris Jeyaraj have given memorable numbers but this is 
something special. Rahman relishes challenges and he delivers best under 
pressure cooker situations. The another remarkable observation is GM seems to 
be an avid lover of acoustic guitar. So many songs are guitar based. We 
observed the same in his previous movie also..He has struck gold with this 
release. As some reports pointed out, Amazon has received a record booking for 
this album and the audio has been declared a mega hit by the trade pundits. Its 
upto Guatham to complement the wizard's score on screen..

Pros: Unconventional music, vintage ARR score, neat lyrics,classy startling 
melodies, never ceasing experimentation with world musical genres.

Cons: Too much experimentation. Too much class in the songs..


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