Ranjha ranjha is absolutely terrific.... My favourite....
--- In [email protected], Thulasi Ram <karoke...@...> wrote:
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>   *Raavan*   *Producer*: Mani Ratnam
> *Director*: Mani Ratnam
> *Starring*: Abhishek Bachchan, Aishwarya Rai, Vikram, Govinda, Priyamani,
> Ravi Kishan, Nikhil Dwivedi
> *Music*: A.R.Rahman
> *Lyrics*: Gulzar
> *Singers*: VIJAY PRAKASH, MUSTAFA, KARTHIK, SUKHWINDER SINGH, AM'NICO, REKHA
> BHARADWAJ, JAVED ALI, REENA BHARDWAJ, ILA ARUN, SAPNA AWASTHI, KUNAL
> GANJAWALA
> *Audio On*: T-Series    *Number of Songs*: 6
> *Album Released on*: 23 April 2010
> Reviewed by: *Atta Khan
> *<http://www.indolink.com/feedback.php?sid=PBS&subject=Review%20of%20Raavan>
>  - Rating: *8.5* / 10
> <http://www.planetbollywood.com/displayReview.php?id=m042310081210#>
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> review<http://www.indolink.com/feedback.php?sid=PBE&subject=Review%20of%20Raavan>
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> Public
> Rating Average: *9.03* / 10 (rated by *78* listeners) Give your Rating:   1
> / 10  2 / 10  3 / 10  4 / 10  5 / 10  6 / 10  7 / 10  8 / 10  9 / 10  10 /
> 10    *Opinion Poll*: Has Rahman recreated magic with Ratnam for "Raavan"
> music? <http://www.planetbollywood.com/Poll/index.php?pollID=334>
> ------------------------------
> *Summary Review*
> 
> The collaboration of A.R. Rahman and Mani Ratnam has brought us some truly
> memorable music including *Roja* (1992), *Bombay* (1995), *Dil Se *(1998), *
> Saathiya* (2002), *Yuva* (2004) and lately, *Guru* (2006). The most
> outstanding of these, *Dil Se*, still ranks as the holy grail of Rahman's
> work till date. So how does their latest collaboration; *Raavan*, sound?
> Well fitting in with the theme and requirements of the movie, it's largely
> traditional folk-based music, albeit superbly revitalised (with a modern
> touch) in places but you will definitely have to give it time to grow on you
> like most of Rahman's work! The best of the tracks include the experimental
> but explosive "Beera" and "Thok Di Killi" but the real gems are the
> mesmerizing "Ranjha Ranjha" and the haunting "Behene De". Overall, the
> soundtrack is diverse, varied and very enjoyable but not quite comparable to
> Rahman's best work. That said, it's comfortably the best soundtrack of 2010
> thus far and as such, is an essential buy!
> 
> 
> *Detailed Review*
> **
> 
> This is it! This is the big one! This is where it all started. I am of
> course referring to the historic collaboration between music composer
> A.R.Rahman and movie director Mani Ratnam which takes us back to Rahman's
> debut and award winning soundtrack: *Roja* (1992). What an awesome
> soundtrack that was and whilst he has gone onto bigger things since then
> (including countless domestic and international awards), perhaps we owe
> Ratnam some due for allowing such talent to hit the big time? And perhaps
> Rahman recognises that because arguably his best music has been reserved for
> Ratnam over the years; *Roja* (1992), *Bombay* (1995), *Dil Se* (1998), *
> Saathiya* (2002), *Yuva* (2004) and lately,*Guru* (2006). The most
> outstanding of these, *Dil Se*, still ranks as the holy grail of Rahman's
> work till date. So does this immense legacy continue in the latest
> collaboration for the movie *Raavan*? Let's find out double quick!
> 
> *Track 1: "Beera" (3:15)*
> 
> If the opening track isn't a statement of intent then I don't know what is!
> It's got Rahman's `experimental' stamp all over it. Right from those
> stunning (introductory) ethnic vocals, chanting and explosive drum / dholak
> arrangements that awaken your senses, to the rustic flavors that create a
> worldly feel about the whole song and the plethora of amusingly weird and
> wonderful sounds (chicken plucks anyone?), you are quickly warped into
> auditory heaven! Unfortunately the track is short-lived (3:15) and the
> enormous charm value dips slightly after repeated listening particularly
> given the nature of the song which is trying to introduce the main character
> "Beera" (Abhishek Bachchan). Singing by Vijay Prakash and Mustafa Kutoane
> (additional vocals Keerthi Sagathia) is first class however and the lyrics
> by Gulzar are situational but apt for the movie. Overall, this is a pacy and
> energetic song that will evoke many passions inside you (all positive) and
> it will look fantastic on screen but ultimately it's too short to have any
> lasting impact. Think of it as a deliciously well executed experiment made
> from international flavours and soils!
> 
> *Track 2: "Behene De" (6:04)***
> 
> After the experimental opener, Rahman gets down to business with the first
> truly killer track of Raavan. In contrast to "Beera", "Behene De" oozes
> melody amidst the haunting orchestral behemoth that dictates the flow of the
> song from start to finish. However, its power is reined back during the
> singing verses and that is where arguably, the modern infused (background)
> arrangements fall a touch flat. Having said that the simple hand-clapping
> effect is most welcome! Moving onto Karthik (another singer from Rahman's
> dynasty), he is a revelation here, performing like a superstar for his
> favourite musician. This must rank as one of his best songs to date, his
> tone is a complete contrast to his "Behka" from *Ghajini* (2008). His vocals
> are augmented superbly before the chorus line and he is ably supported by
> Mohamed Irfan- the effect of the backing vocalist is powerfully received.
> Gulzar's striking metaphors are a treat to listen to and visualise. On the
> downside you have to admit to having a taste of déjà vu with some aspects of
> the music. For that reason, a slight tinge of disappointment may creep into
> your mind. But realistically, did you expect another "Beera"? Nevertheless
> this is a stellar track that can only sound better on screen. Raavan's music
> is getting better…
> 
> 
> *Track 3: "Thok Di Killi" (4:58)***
> 
> Wow, as a concept this one feels like "Beera" all over again. Lots of
> attitude and style! But instead of drums and dholak, a short rhythmic blast
> of electric guitar riffs (by Deepak P.A.) pulverise your senses into
> submission. Add plenty of dholaks, background chanting and *shennai* fusion
> to the mixing pot and you have one crazy melody to dance to! Sukhwinder
> Singh sounds like he is having a blast singing for Rahman again and along
> with co singer Am'nico, they are the killer USP with some fantastic vocals.
> Gulzar's lyrics are short and snappy and the effect is subtle but effective.
> "Thok Di Killi" is experimental, fun and brilliantly stylish! Beyond that it
> doesn't have have much repeat value. Shame.
> 
> *Track 4: "Ranjha Ranjha" (5:54)***
> 
> Deep breath listeners…deep breath, are you ready? For we are now entering
> Rahman's pinnacle offering for Raavan. And my word is it good. Actually give
> it time to grown on you and it becomes nothing short of amazing! The
> opening *alaaps* allure you to escape into the magic of the song that ranks
> as one of the most bewitching takes on the romantic genre to come from the
> Rahman stable for a while (yes "Dil Gira Dafatan" from *Delhi 6* was amazing
> too!). The splashes of peppy modern beats and fusion on a traditional folk
> music platform works an absolute treat and sounds divine in your ears. Make
> no mistake this is Rahman at his very best. Singing is palpably epic
> particularly the performance by Rekha Bharadwaj who takes your breath away
> (her sufi type chanting of "Ranjha Ranjha" is phenomenal) in what must rank
> as one of her best ever renditions! Javed Ali has been singing regularly
> since *Jodhaa Akbar* but thanks to Rahman, he outdoes himself here with a
> stirring effort and can only move onto better things (Anuradha Sriram
> provides fine backing vocals). Gulzar's folksy lyrics are fantastic (note
> the opening lines are credited to sufi poet Bulleh Shah's *Ranjha Ranjha
> Kardi*). "Ranjha Ranjha" is mesmerizing to the point of no return. It's just
> sublime on a level only Rahman can reach. Words cannot describe its beauty
> but beware, it might just take your breath away…song of 2010!
> 
> *Track 5: "Khili Re" (4:11)***
> 
> This track starts on a much slower and soothing note which helps you
> retrieve your breath after the amazing "Ranjha Ranjha"… but then it's
> instantly brought to life by some beautiful vocals marking the return of an
> awesome singing talent! Reena Bhardwaj recorded her debut song "Yeh Rishta"
> for Rahman's superb and under-exposed *Meenaxi: A Tale of Three Cities 
> *(2004).
> That catapulted her straight to the top of the Indian music charts and that
> year she was also nominated for best playback singer. Since then her career
> has taken off but not so much on the filmi scene. However, Rahman never
> forgets his singing dynasty and she returns here to mark another fine
> performance. Musically, the arrangements rest on a semi-classical platform
> with a range of (classical) instruments (including flute by Naveen Kumar,
> tabla and a sitar performed by Asad Khan) meticulously crafted for a
> soothing and pleasurable listening experience. However try peeling away the
> layers and you might come away disappointed somewhat. Lyrically it is
> nothing special either. Overall it's a good song no doubt with even better
> singing but a huge anti-climax after "Ranjha Ranjha".
> 
> *Track 6: "Kata Kata" (5:11)***
> 
> Apparently Mani Ratnam goes all big for the song picturisation of this one
> calling on the services of five hundred dancers with the entire production
> taking four to five days to complete! So to make it sound equally amazing,
> Rahman himself calls on multi-faceted singers (including Ila Arun, Sapna
> Awasthi and surprisingly, Kunal Ganjawalla) and co-ordinates an amusing
> story based song with seamless efficiency. Expect plenty of dholaks, hand
> clapping, *shenai*, oud and other folksy dance instrumentation (arrangements
> by Ranjith Barot) alongside the percussive orchestra provided by Rahman's
> own Chennai Strings. The singing is particularly effective and lyrics by
> Gulzar are in tune with the situational requirements of the movie. This one
> will hit the bulls-eye on screen for sure but perhaps the impact, appeal or
> quality isn't up to the comparable dance based "Azeem-o-Shaan
> Shahensha" (*Jodhaa
> Abkar*) or a "Mitwa" (*Lagaan*).
> 
> Overall Raavan is a fascinating and diverse soundtrack that deserves
> repeated listening to be fully appreciated. Forget anything else this year,
> you owe it to yourself to discover the music on offer here. There is a lot
> of experimentation as heard in "Beera" and "Thok Di Killi". Also that
> experimentation extends to the singers- just check out the amazing talent
> and fresh faces on show here, most of whom we have never heard before!
> Elsewhere you will find other reasons to rejoice in the music ("Ranjha
> Ranjha" and "Behene De") and although arguably it never consistently reaches
> Rahman's best (the music doesn't always have multiple layers to peel away),
> Raavan is still his most varied, folksy and interesting soundtrack in a long
> while. Mani Ratnam is surely happy and so should you be. A strong contender
> for soundtrack of the year!
> 
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