i agree with you 100% roshan....

On Wed, Jun 16, 2010 at 3:32 AM, Roshan <[email protected]> wrote:

>
>
> I too agree with this. except CNN and MTV, there were no coverage on
> american media except a little foot note that AR Rahman is performing.
>
> Why is it ?  the answer is simple.. most of the western audiences haven't
> really heard of Rahman yet.  Some probably know him as the guy who won the
> Oscar. But majority of them haven't really become "the fan" just yet.  That
> will only happen if he releases some albums in the US, collaborate with big
> stars in the west and do good musical concerts that really represent
> rahman.. the kind we see in a Yanni Concert. not the kind that Britney
> spears or Madonna does.  and I wasn't quiet happy with the way they tried to
> replicate a MJ on Rahman. I mean, what is the point ?
>
> His music has lots of class that one would find in a western classical
> composistions. instead of trying to make him a pop star, why not try to
> showcase what really he is ?  he is a composer. his compositions are to be
> heard.. but not accompanied with lots of dancers and gimmicks.
>
> I know a lot of people might disagree with me. But, that is just me. :) I
> would love to see him perform his song with his singers in a classy
> atmosphere than to see acrobatics and dances.  There is plenty of that in
> Booollywood.
>
>
>
> On Wed, Jun 16, 2010 at 2:02 AM, A.R.Rajib <[email protected]> wrote:
>
>>
>>
>> Is *Jai Ho!* A R Rahman's best song?
>> June 15, 2010 14:24 IST
>>
>> *
>> *
>> *Aseem Chhabra listens to the music played at A R Rahman's [ 
>> Images<http://search.rediff.com/imgsrch/default.php?MT=a+r+rahman> ]
>> concert in New York.
>>
>> *
>>
>> *Also Read: Thousands flock to catch A R Rahman in 
>> action<http://movies.rediff.com/slide-show/2010/jun/14/slide-show-1-jai-ho-world-tour-kicks-off.htm>
>> *
>> Is *Jai Ho!* A R Rahman's best composition? Most India [ 
>> Images<http://search.rediff.com/imgsrch/default.php?MT=india> ]n
>> fans of the composer in India and elsewhere in the Diaspora will disagree
>> with that question.
>>
>> It is widely believed that Rahman has composed far better songs in
>> Bollywood and for Tamil films. My personal favourites range from *Chaiyya
>> Chaiyya* to*Taal [ 
>> Images<http://search.rediff.com/imgsrch/default.php?MT=taal> ]
>> Se Taal Mila*, and *Sandhana Thendralai* from Rajiv Menon's Tamil 
>> film*Kandukonden
>> Kandukonden*.
>>
>> Nevertheless the box office success of *Slumdog Millionaire [ 
>> Images<http://search.rediff.com/imgsrch/default.php?MT=slumdog+millionaire>
>>  ]* and the Oscar wins have clearly made *Jai Ho!* Rahman's most popular
>> song in the West. It is also his only known song in the West other than
>> perhaps the rest of the compositions from Danny Boyle's 
>> [Images<http://search.rediff.com/imgsrch/default.php?MT=danny+boyle> ]
>> film.
>>
>> And so no surprise that the management team behind Rahman's new stage show
>> would call it Jai Ho 2010: The Journey Home Concert.
>>
>> After all, the hope was that this concert was going to introduce Rahman in
>> a big way to mainstream America. That 'journey home' expression comes from
>> one of the original songs of Rahman's West End and Broadway musical *Bombay
>> Dreams*.
>>
>> I did not understand whether this time the expression 'journey home' was
>> supposed to represent Rahman's passage back to the US -- now that he
>> reportedly spends more time in Los Angeles; or was this concert reconnecting
>> his fans in the Indian Diaspora to their roots by traversing through the
>> highlights of his rich career.
>>
>> Last Friday before the first show started at the Nassau Coliseum in New
>> York, I stood with two friends -- an Indian musician and an American blogger
>> -- at a bar at the venue doing something very politically incorrect. We were
>> conducting our own non-scientific poll of white Caucasian faces in the
>> crowds that were entering the arena. There may have been more than 15,000
>> people in the audience, but we counted about 20 white faces and perhaps we
>> may have missed another 30 to 40.
>>
>> We posted on Twitter and later during the show other friends texted from
>> different locations in the venue. Why did not Rahman's so-called non-South
>> Asian fans show up? This much was clear -- 99.9 percent of the audience that
>> arrived in their cars from New York and other neighbouring states (I even
>> met a family that had driven six hours, all the way from Boston) were brown
>> *desis* -- more Indians, but surely also other South Asian fans of
>> Rahman.
>>
>> I am not an expert in booking musical shows, but I do know that when
>> artists like Bruce Springsteen, Madonna [ 
>> Images<http://search.rediff.com/imgsrch/default.php?MT=madonna> ]
>> or Lady Gaga [ 
>> Images<http://search.rediff.com/imgsrch/default.php?MT=lady+gaga> ]
>> perform in New York, they seek venues like Radio City Music Hall or Madison
>> Square Garden. And in order to reach all shades and colours of New Yorkers,
>> those shows are promoted in the mainstream press.
>>
>> But this Rahman show was mostly promoted to the South Asian market. *
>> Desis* know Nassau Coliseum since that has long been the site for
>> Bollywood shows, but it is hardly a venue that would draw other New Yorkers.
>>
>> Some may argue that a brown man's dollar has the same value as that of a
>> white man and I will agree with that. The Coliseum was filled to about 75%
>> capacity and so how does it matter who bought the tickets? But I still feel
>> that with a grand show such as this -- well produced by
>> choreographer-director Amy Tinkham, who has worked on concerts with artists
>> including Paul McCartney, Madonna and Britney Spears [ 
>> Images<http://search.rediff.com/imgsrch/default.php?MT=britney+spears> ]
>> -- Rahman the artist was not able to crossover into mainstream America.
>>
>> The show -- one friend described it as a *desi* *Lion King* -- was
>> stunning to watch. The lights, set design, sound, the selection of songs was
>> simply quite spectacular. Rahman touched upon a lot of hits -- recent
>> Bollywood films like *Rang De Basanti [ 
>> Images<http://search.rediff.com/imgsrch/default.php?MT=rang+de+basanti>
>>  ]*, *Delhi 6 [ 
>> Images<http://search.rediff.com/imgsrch/default.php?MT=delhi+6> ],
>> Jaane Tu [ Images<http://search.rediff.com/imgsrch/default.php?MT=jaane+tu> 
>> ]...
>> Ya Jaane Na* to his best works with Mani Ratnam in films like*Bombay*
>>  and *Dil Se*.
>>
>> There were quieter moments such as when Rahman sat down to sing *Yeh Jo
>> Desh Hai Tera* from *Swades [ 
>> Images<http://search.rediff.com/imgsrch/default.php?MT=swades>
>>  ]* or*Khwaja Mere Khwaja* from *Jodhaa Akbar [ 
>> Images<http://search.rediff.com/imgsrch/default.php?MT=jodhaa+akbar>
>>  ]* and later when the orchestra performed the haunting theme from*Bombay
>> *.
>>
>> We were treated to the celebratory Holi song from *Mangal Pandey [ 
>> Images<http://search.rediff.com/imgsrch/default.php?MT=mangal+pandey>
>>  ]* and *Mehndi Hai Rachne Wali* from *Zubeida*. And in a technological
>> wonder, Rahman performed *Luka Chuppi* from *Rang De Basanti* with a
>> projected image of Lata Mangeshkar [ 
>> Images<http://search.rediff.com/imgsrch/default.php?MT=lata+mangeshkar> ]
>> -- quite like Natalie Cole's hit *Unforgettable* video in which she was
>> featured with her father Nat King Cole [ 
>> Images<http://search.rediff.com/imgsrch/default.php?MT=nat+king+cole>
>>  ].
>>
>> But the show had its inconsistencies. There was a flat attempt to pay
>> tribute to Michael Jackson [ 
>> Images<http://search.rediff.com/imgsrch/default.php?MT=michael+jackson> ].
>> The performance of *Chaiyya Chaiyya* was dull. The male singer just did
>> not have the range of Sukhwinder Singh's [ 
>> Images<http://search.rediff.com/imgsrch/default.php?MT=sukhwinder+singh> ]
>> voice. In fact, his voice was drowned by the loud orchestra.
>>
>> Two months ago at a press 
>> conference<http://movies.rediff.com/report/2010/apr/20/what-rahman-has-in-store-for-the-world.htm>
>>  to
>> launch this concert Rahman and Tinkham emphasised that they had picked the
>> best back up dancers for the show. The big question though was why all the
>> dancers dressed in colourful Indian costumes were white, with a trickling of
>> black performers.
>>
>> Not a single dancer at the show was brown and a *desi*. Was this an
>> attempt to appeal to Rahman's non-South Asian fans?
>>
>> Whatever may be the reason, it looked odd to see non-Indian dancers
>> dancing to the beat of Indian film songs -- not once, but through the entire
>> show.
>>
>> And one more contradiction. There were very two very strong Indian
>> nationalist performances, one towards the middle of the show with colours of
>> India's flag flashed in the auditorium and the other a rendition of *Vande
>> Mataram* -- the encore act after the elaborate grand finale of the song *Jai
>> Ho*!
>>
>> I am not opposed to Indian nationalist sentiments, but those tend to work
>> much better in India. There were a couple of people holding an Indian flag
>> at the venue, but Rahman should not forget that his popularity crosses
>> beyond Indian Americans. There were certainly a number of his Pakistani,
>> Bangladeshi and other South Asian fans at the concert. He risks losing their
>> support and ticket revenues if he makes the shows very India-centric.
>>
>> *Image: A R Rahman during a moment in his concert at Atlantic City, New
>> Jersey. Photograph: Paresh Gandhi*
>>
>> *
>> *
>>
>> *
>> *
>>
>> *
>> http://movies.rediff.com/report/2010/jun/15/is-jai-ho-a-r-rahmans-best-song.htm
>> *
>> --
>> - Regards
>>
>> ~ ~ A.R.Rajib ~ ~
>>
>>
>
>
> --
> -----------------------------------
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