then he should be redesignated from "film critic" to "chief inflationary 
writer" inflating words, reviews, hits and hulla gulla ;-)




________________________________
From: Sai Theodore <[email protected]>
To: [email protected]
Sent: Fri, June 18, 2010 9:59:00 AM
Subject: RE: [arr] Raja Sen's Raavan review- Unforgivably boring

  


Exactly, that is what they are aiming for. Maximum hits and
there by more revenue... after all it is a business driven world. What can we
do about that?
 
If you notice this guy, Raja Sen, he thrashes every movie that
comes his way (well, there are exceptions for some super stars, don’t
want to take any name) and after some time does the reverse just to prove that
the current movie that he is reviewing is a trash.
 
Nevertheless, they have invented a unique way of generating
revenue. Let’s take is sportingly, ‘coz it is very difficult to
change something...
 
Sai
 
From:[email protected]
[mailto:[email protected]] On Behalf Of Roshan
Sent: 18 June 2010 08:11 PM
To: [email protected]
Subject: Re: [arr] Raja Sen's Raavan review- Unforgivably boring
 
  
he is merely trying to grab all the attention.
He likes to do that. he slams every movie that comes out.. and if he did really
like something, he would make sure that no layman would ever be able to
understand what he writes. it is good for rediff. and they encourage that. look
at the number of comments he gets every time he writes something. good or bad,
but people do comment on all the reviews he write. 
On Fri, Jun 18, 2010 at 7:54 PM, Ram Motipally <[email protected]> wrote:
  
What is bothering is that he seems
absolutely trigger happy to label the movie "boring". Seems like he
was looking for reasons to do it.....
 
 

________________________________
 
From:Sai Theodore <[email protected]>
To: [email protected]
Sent: Fri, June 18, 2010 7:05:58 AM
Subject: Re: [arr] Raja Sen's Raavan review- Unforgivably boring



You can rely on Raja Sen for sure, but take it 180 degrees around... that
worked for me almost 99.99% of the time
On Fri, Jun 18, 2010 at 4:25 PM,
Vinod R Iyer <[email protected]>
wrote:
  
Raja Sen .... This guy cracks me
up, everytime !! :) :) .. Some useless reviews he provides. 
 
Go watch the
movie(s) guys .. It's brilliant !
On Fri, Jun 18, 2010 at 1:11 PM,
Karthik Subramaniam <[email protected]> wrote:
  
Raavan is unforgivably boring
June 18, 2010 11:02 IST
Tags: Raavan, Ratnam, Ram Gopal Varma, Bachchan, Ragini
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Raja Sen reviews Raavan. 
It's eerie how two
very different directors with very distinct styles can gradually start
mirroring each other's work. 
Mani
Ratnam makes a film every few years, with the slow deliberation of one obsessed
with every detail.
The
alarmingly prolific Ram Gopal Varma [ Images ] meanwhile seems to follow 
impulse ahead of scheme.
Their diametrically opposed creative paths crossed in the early 1990s as the
two got together and each is credited for writing the other's 1993 film --
RGV's Gaayam and Mani's Thiruda Thiruda -- even though Ramu
assures that screen-credit notwithstanding, each man made very much his own
film.
And
yet, today one seems very much in on-screen pursuit of the other, even if not
blatantly so. Ratnam's last film Guru ends up in a way rather like Varma's 
Sarkar,
both barely-veiled biopics of popular, powerful Indian icons, films that chose
safety over provocation and ended up tame hagiographies. Massively successful
films, naturally.
This
time, Ratnam's latest takes a big chunk of larger-than-life Indian mythology,
sloppily swaps antagonist with protagonist, and ends up giving an earnest
Bachchan far too much scenery to chew in far too much spotlight. Oh yeah, this
new Raavan is clearly Mani Ratnam Ki Aag.
Not
that Raavan, starring ace cinematographer Santosh Sivan, is bad to look
at. Not at all, and there are some frames that positively glisten. It's just
ill-conceived, amateurishly adapted, and often too lamentably literal in its
desperate attempts to reference the epic, trying recklessly but daftly to be
contrary for the heck of it.
It's
one thing to mask familiar characters with grimy grey, evoking empathy for the
villain and giving the hero some flawed ambiguity, but here Ratnam falls prey
to sensationalism and turns Raavan into a schizophrenic Robin Hood,
and Ram into a bloodthirsty, consistently amoral cop.
The
result is painfully one-dimensional, a revenge story devoid of meat, conflict
or, really, surprise: I doubt giving away plot details from the Ramayana [ 
Images ] counts as a spoiler. If you think it does, turn away now.
Tough
cop Dev (Vikram) discovers that his wife Ragini (Aishwarya Rai [ Images ]) has 
been abducted by feared outlaw Beera
(Abhishek Bachchan [ Images ]). He sets out to get her back, cutting a bloody
trail through the jungle even as the violent, loony Beera refrains from
besmirching Ragini's honour.
It
is a concept with fascinating adaptive possibilities, its potential showing
through in stray bursts, like Raavan's sister's wedding brutalised by the cops
to give the film's anti-hero his motive for the kidnap.
That
very potential, however, is squandered in the next scene when a young cop
inexplicably grabs the almost-bride by her nose, to underline how obviously the
poor girl is Surpanakha.
In
another unimaginable moment nearing the end of the film, the cop asks his
rescued bride if Raavan 'did anything' to her. It's a scene dripping with
awkwardness and hesitation and misunderstanding, and could have been impactful
in a million ways, except the way this film plays it: With the cop asking his
wife to take a polygraph test. I'm not making that up, so laughably textbook
are the script's attempts at metamorphosis.
The
dialogue doesn't help things, the film's characters speaking in the oddly 
theatrical,
surreally simplistic Hindi that can only these days be described as
Priyadarshanese.
A few characters get a chance to break away, like Ravi
Kissen [ Images ] and Govinda [ Images ], who grab it with both hands and 
emerge as the best things in the film, by
far, while Abhishek Bachchan speaks any which way he chooses, especially when
slapping himself. There is one scene when Bachchan, speaking of burning with
envy, transcends this poor picture and shines on his own, but outside of that
this is a squandered vanity project for the actor.
Aishwarya
Rai -- her alabaster skin muddied and bruised, her eye makeup crucially
immaculate -- screeches her way through the proceedings, contorting her face as
if to convince us it has something to do with histrionics. 
Unfortunately,
both that and the aforementioned squealing have more to do with tortured
balloon animals, and there are several ear-splitting occasions when one wishes
Mani'd dispense with the school-level allegory and let that pretty balloon
abruptly pop.
As
for Vikram, the National Award-winning actor we all expected great things from,
he gets the rawest deal of the lot, a cardboard cop who scowls, runs in
slow-mo, and models Aviator sunglasses.
The
film's first half is choppy and bewildering but tight, while the second sprawls
all over the place, overlong and exhausting. Sivan's frames are indeed grand,
but there isn't one great shot to take away from the film. Even the
world-conquering A R Rahman [ Images ] can't save the day, and it's 
heartbreaking to see
the legendary cinematographer-director-composer trio give us such forgettable
song sequences.
Raavan's deadliest sin,
however, isn't in the clumsy dialogue, hammy acting or lame, oversimplified
adaptation. All of that can be forgiven if the tale engages us, and we never
watched Ramanand Sagar's endless television show for its subtlety. Where Raavan 
truly and tragically fails us is in taking one of our greatest epics, and
making it unforgivably boring.
It's
profoundly sad to see a filmmaker of Ratnam's calibre reduced to this. Yet hope
beats immortal. Perhaps we should just wait till he takes on Shiva.
Also Read: New Yorker Aseem Chhabra's very different review
Rediff
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