You are simply awesome bro... Kudos.. loved it

On 8/1/10, wiredbeats <wiredbe...@yahoo.co.in> wrote:
> Hello all,
>
> I have not written a review of any album so far in this group in the last 8
> odd
> years of being around. I think its been that long...what with so many good
> reviewers around such as Chord etc, we are well balanced.
>
> I just thought this time i would attempt to sort of share some notes on
> enthiran.
>
> Enthiran did not require any brilliance in actual composition, the whole
> sound
> track needed lot of energy and some out of the world programming and mixing
> expertise. The concept of the sound track of enthiran suits all gizmos and
> toys
> that today almost all good composers have or can gain access to. It is the
> balance of what to use, how much to use to strike a trade-off between noise
> and
> music. This trade-off is seen in its absolute best in the first track of the
> CD.
>
> I am great fan of electronica -  house, techno, beach house,down tempo and
> lounge music produced by lables such as Ministry of sound, Hed Kandi and few
> select DJ/programmers such as Armin Van Burren, Ferry Corsten, ATB, Moby to
> name
> a few. What these guys ensure is that the overall feel of the song, the
> production values are so damn rich that you feel that extra cash that you
> spend
> on your expensive CD system is well spent. They many not always produce
> melody,
> but the rhythm, the bass, the ambient pads, synths used are chosen and
> placed
> with such perfection that a rather simple 4x4 beat track sounds awesome.
> Rahman
> has a team that achieves and exceeds the standards set by such international
> artists. However, in the context of film songs such brilliance are
> often interrupted by the demands of the song,situation and directors brief.
> And
> i think striking a balance is very tough given so many strings pulling. If
> you
> remove the strings, Rahman's music becomes more free flowing and thats why
> Vande
> Mataram and his latest god level tracks in Nokia Connections album are
> talked
> about.
>
> Now, if you listen to puthiya manitha, the first track in enthiran disc -
> the
> samples used, the structuring of the song, the reverb and the overall usage
> of
> the stereo soundscape has come out so well that it is an absolute
> satisfaction.
> The dept of the kick (beat), the open and closed HiHats, the rising and
> falling
> synths are right there where the best of the music producers operate. I mean
> when  i heard it for the first time and after the Khatija's lines are over i
> felt ..It would be great if he introduces a layer of soft kicks with
> prominent
> highs and sort of make the track flow into the mainline. And it happened and
> happened so well. This is strikingly brilliant. It feels rich.
>
> Same is the case with Khilimanjaro track. The taiko drums sink deep and uses
> all
> the stereo landscape such an instrument needs. Taiko drums have a very loud
> character to it. Once you introduce it in a song, you must be careful not to
> under utilise it because energy levels in the song will drop so badly that
> you
> would start to loose interest. Over usage would be very irritating.
> Khilimanjaro
> is a fairly simple track and has a of space to breath. This makes it very
> catchy
> and to top it, the production values are awesome.
>
> The problem comes in the other track - Irumbile oru idhayam. This is a very
> sad
> and average track. It seems to be put in a hurry. Very ordinary. When i
> heard it
> first i felt the track is going to take off in an another level when Kash n
> krisshy start their lines, those vocals sounded so classy, so global and so
> trance. But then the song remained the same with some loose lyrics. Not
> done,
> this is the weakest track.
>
> Infact, Trance has never been Rahman's forte. That track - Kellamal Kayile
> from
> Azhagiya Tamil Magan was very sad too. It had a template beat and fell flat
> in
> the first 60 second. Infact, i don't like Fanaa from Yuva either. Its very
> jarring. Going by the standard set in Puthiya manitha, irumbile oru idhyam
> should have sounded something like 9PM by ATB or check out Ferry corsten's
> latest release called Twice in a Blue moon. I am comparing for a
> reason....Rahman need not produce flat tracks like this.
>
> Chitti Dance showcase is playing with toys and super interesting and fun to
> listen to.Perhaps even better fun to watch the video. But thats it.
>
> Rest of the tracks are ok. Good, for a change Yogi B has been used instead
> of
> Blaaze. He is good, but Yogi B gives a good break from Blaaze.
>
> However, what is satisfing with Enthiran is it 'sounds good' and achives its
> purpose. There is no great melody, just the overall feel of the disc is very
> positive and one does not go through dips and rises.
>
> More than Rahman, i congratulate K.J. Singh and Deepak P.A for setting a
> standard of production values. We have come a long way from the trash
> sounding
> BLUE to some awesome sounding VTV, Puli and Enthiran. Skipping
> Raavan(an)...i
> don't know whats wrong what that album...i have forgotten it!
>
> And belive me guys when i say this...Enthiran NEEDS and CD. You loose the
> maximum when you convert in MP3. The loss is noticably maximum in this CD
> especially...buy, beg,borrow or steal the disc. But get it..
>
> Don't mind me. I am frank. I still feel Rahman's best is Dil Se Re from Dil
> Se.
> He is yet to repeat that vision.
>
> regards
>
> wb
>
>
> Remixes I Originals I Opinions at  http://www.wiredbeats.com
>
>
>


-- 
regards,
Vithur

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