Dear Friends:

The Guardian this morning (22 12 2011) published Indira Goswami's obituary in its pages.The author is Shahnaz Habib, a freelance writer & editor based in Brooklyn, New Work. The printable version is reproduced below:

-bhuban

Indira Goswami obituary
Indian writer spurred on by widowhood and social injustice

Indira Goswami in 2006. She used her life as an empathetic starting point for research. Photograph: Frank May/AFP The writer Indira Goswami, who has died aged 69 after a long illness, was widowed as a young woman, 18 months after her marriage. Although education and privilege shielded her from many of the stigmas traditionally faced by widows in India, the experience prompted her to consider the oppressive helplessness in which many of them lived. In her first novel, Neel Kanthi Braja (Shadow of Dark God, 1986), she examined the social and psychological deprivations of widowhood. "I have tried to show how the mental and physical state of a young widow takes a different shape and how this change affects her life after her widowhood," she stated in its introduction.

In writing this book, she did not simply project her own experience on to others but rather used it as an empathetic starting point for research. She lived with a sect of widows in the Hindu holy city of Vrindavan for a couple of years. Goswami gave a candid voice to the grief and loneliness of widowhood in her memoir, Adhalekha Dastaveja (A Half-Written Autobiography, 1988), and in a later novel, Dontal Hatir Une Khowa Howdah (The Moth-Eaten Howdah of the Tusker, 2004), in which she portrayed the lives of widows in a satra (traditional monastery).

Born in Assam, north-eastern India, Goswami was raised in a Vaishnavite family who owned a satra. Although she started writing as a child, it was only after her husband's death in 1967 that she committed herself to a literary career, writing in Assamese and becoming popularly known as Mamoni Baideo (Sister Mamoni). She continually addressed social injustices in her work and made her life as an academic in Delhi, writing numerous short stories and novels, some published in serial form in magazines.

Her imagination was captured by the raw reality of the streets, the slang of the lower classes, and the incongruous intersections of urban life. In Tej Aru Dhulire Dhushorito Prishtha (Pages Stained With Blood, 2001), a young female teacher visits the neighbourhoods of Delhi that have been affected by anti-Sikh riots in the wake of the assassination of Indira Gandhi by two of her Sikh bodyguards. Even as the story bears witness to the bloodshed in Delhi, it also personalises the political – the teacher is falling in love with the Sikh rickshaw puller who is taking her through the divided city.

In the more recent Chinnamastar Manuhto (The Man from Chinnamasta, 2005), Goswami wrote about animal sacrifice at the Kamakhya Temple. The novel condemns the practice, and its questioning of the role of religion provoked controversy (an increasingly familiar reaction to her work). The recipient of the highest literary awards in India, Goswami also received a Prince Claus award from the Netherlands in 2008 for the cultural and social value of her work. The jury remarked that her "powerful and lively descriptions and memorable images show how the body is central to human affairs, how political, religious and cultural systems affect the body and how the body determines life processes, gender, age, poverty and conflict".

One of her lifelong passions was the Sanskrit epic the Ramayana. As a young scholar, she conducted research comparing Goswami Tulsidas's popular epic Ramcharitmanas with the Assamese poet Madhava Kandali's 14th-century version of the Ramayana. She subsequently published the book Ramayana from Ganga to Brahmaputra. Much later, bringing together Ramayana scholars from across Asia, she founded the South-east Asia Ramayana research institute in 2008. Goswami was especially fascinated by the way the epic and its array of heroes and villains shapeshifted across cultures. The first publication by the institute, Ravana: Myths, Legends and Lore (2009), explored how the demon king of the epic is a much more nuanced and intelligent character than is usually acknowledged.

Perhaps it is this complex and compassionate vision of conflict that also inspired Goswami to offer herself as a negotiator between the government of India and the United Liberation Front of Assam, a separatist movement. With her mediation, the banned group conducted three rounds of talks with the government, a considerable achievement considering that the crisis in Assam has been running for decades.

Goswami's home was always open to Assamese students in the city, and once I accompanied a friend on a visit. It was evening and Goswami was almost ready for bed, dressed not in the bright, splendid saris that she was always photographed in, but a house dress. The splendidness was all hers. Delighted to see us, she made us tea, insisted that we eat snacks, made jokes about the writing life and asked after my friend's family. She was a warm presence and a gracious listener, and the meeting ended with a softly spoken invitation to return any time we needed anything. Whether you were a nameless student or an insurgent or a Ramayana scholar, you were welcome into her life.

• Indira Goswami, writer, teacher, and scholar, born 14 November 1942; died 29 November 201



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