in the January 1993 volume of Stereophile. The author, recording
engineer and now absolute sound editor Robert Harley, first explored
the scientific measurements of Ed Meitner, who first discovered a means
of measuring jitter. Meitner presented his findings to the 91st AES
convention, in a paper called "Time Distortions within Digital Audio
Equipment due to Integrated Circuit Logic induced Modulation. 

Harley references the following scientific journal article:

Is the AES EBU/S/PDIF Digital Audio interface Flawed? by Chris Dunn and
Malcolm Hawksford. Dunn and Hawskford calculate that for 16bit
converters, a measurement of less than 100 picoseconds of jitter is not
likely audible, whereas a 20 bit conversion accuracy on the order of 8
picoseconds in order not to induce audible (and measurable)
differences. This also assumes that the jitter is random; in many
cases, it appears consistently at the same frequency as the audio
signal. Also, in 1993, these engineers did not have access to 24 bit
converters, whose jitter measurements would need to be well below 8ps
given the mathmatical formula developed. 

Pat, I appreciate your healthy skepticism of the hi end, but as others
have noted here, jitter has a discernible and measurable impact on
audio frequencies, which is also easily heard. Less clear is at what
point the lowest measured jitter becomes relevant when all such devices
display incredibly low measured jitter. In the case of the SB3, its 55
ps of jitter is audible using a 24 bit conversion, and comparing
against typical transports which measure in excesss of 100ps.


-- 
davehg
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