PS,

Another reason, alluded to above, that the Linn demo and statement
doesn't work is this:

Certainly, the differences between source components will be audible
through most features.  That is a given.

However, the object is to integrate an entire system.  Now, what you
actually are sound waves produced by the speakers and bounced around
your room.  There is no way around this.  In other words, there is no
way to optimize your system -- and to really hear the source at its
best -- without optimizing the speaker/room situation.

This is why the TacT solution, for example, is so effective.  TacT
allows the user to equalize (something I have done about as well) and
to adjust to time delays.  This latter factor is crucial, in that it
can come very, very close to getting around the problem of high
frequency reflection AND allowing far better integration of bass, also
in the time domain.  There is simply no better way to do this.

Personally, I don't find it all that necessary in my room, because my
speakers are highly directional, I listen very close to what is
considered "near field," which means high freq reflections are less
intrusive, etc.  However, for a lot of people, TacT, in combination
with some very good speakers, can be a revolution.

Robert Greene, the mathematican, acoustics expert, and twenty-odd-year
TAS writer -- and who happens to choose Harbeth Monitor 40s as his
reference speakers, despite being able to have pretty much anything
made -- wrote a review of the TacT 2.2x recently.  He was using M40s,
Allisons as corner woofers, and EQ + RCS.  He proclaimed it the
soundest (excuse the pun) solution to great sound available.


-- 
highdudgeon
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