Phil Leigh Wrote: 
> Sean - many thanks for taking the time to reply. I wonder if the
> firmware 15 afficianado's were listening to the analogue output...
> 
> I also agree that a polarity setting (with album/track preference in
> the database) might be useful. How can I vote for that enhancement
> request? - it would be a USP (albeit to a very minority customer
> sector!).
> 
> Whilst switching polarity on my TACT 2.2x, I noticed that as you have
> to switch both channels separately there is always a moment when the
> sound is out of phase until the second channel is switched. This is
> very bad for comparisons, since the return to "in-phase" from "out of
> phase" is such a relief that it is hard to compare polarity settings
> with any confidence.
> 
> 
> 
> I've been doing so more exploratory research on polarity. First,
> someone mentioned guitars, so I dug out one of mine where the polarity
> of each pickup can be switched. The purpose of this is to create
> alternate "out of phase" (sic) pickup combo settings. However, using
> just one pickup I could detect absolutely no difference in sound - even
> using heavy palm muting to create asymmetric transients of the sort that
> might be polarity sensitive. Believe me, us guitarists are VERY
> sensitive to any timbre/dynamics changes in our instruments. As an
> aside, it was my guitars that finally convinced me that cables sounded
> different...although there is a scale of diminishing return which I may
> have exceeded on the hi-fi front :o)
> 
> Thinking this through further - it makes sense. There is no "absolute
> phase" in an electric guitar - it's just nonsense. Which way (in or
> out?) does the speaker cone move when the string goes up/down vs.
> down/up? The very question is crazy...
> 
> 
> So I've given up on electric (indeed any) guitar. Bass drum - yes, that
> might make sense in isolation. Vocals - yes maybe there could be
> something in that. After all, humans are very sensitive to the sound of
> the human voice - it is "deep progamming". Garage doors slamming - could
> be...
> 
> However, using the Alan Parsons test disc and also some very clean
> Ladysmith Black Mambazo recordings, I stil can't hear polarity effects
> on vocals.
> 
> Next I'm going to try some "vinyl drops" to see if I can hear anything
> there - especially in the background noise.
> 
> It would still be interesting to get some views on preferred polarity
> on a few widely available, popular recordings for reference purposes -
> any takers out there?

Do you have a system that creates a sound stage?
I would never try to identify phase on individual instruments.

Regards


-- 
P Floding
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