This thread is a great set-up for the mother of all flame wars! adamslim
must be the kind of guy who enjoys watching people tear each other limb
from limb :-) Here's hoping that the Audiophiles forum here doesn't end
up like rec.audio.opinion.

But while I'm here, let's get into the Nomex and put my head on the
block....

<hypothesis> Listening to an audio system involves the ear/brain
interpreting the soundfield generated. But in addition to the
soundfield, there are other, non-auditory, influences. Those
non-auditory influences can *genuinely alter what the listener actually
hears*. A person's various senses don't exist in isolation, but
influence one another. The visual and/or tactile satisfaction afforded
by the look and/or feel of a component can cause the auditory system to
register an improvement in what it hears.</hypothesis>

Here's an example: I used to own a Micro-Seiki CD-M100 CD player. This
was a seriously breathed-upon Marantz CD94. It did sound good. But it
was also a beautiful piece of furniture. Listening to it was a joyous
experience, and I am convinced that my appreciation for the exquisite
look and feel of it made it sound better than it did.

What does this have to do with the objective v. subjective argument?
Well, it seems to me that the subjectivists, when making sighted
comparisons of audio gear, genuinely hear differences that may not be
anything to so with the soundfield on its own. This is not a character
flaw: it's human nature. Where *some* subjectivists seem to go wrong is
in assuming that to admit that the improvement they hear might not be
anything to do with the sound would indicate some kind of
self-delusion, and so they start speculating about all kinds of
extremely implausible mechanisms as to why they hear a difference.

On the other hand, *some* objectivists seem to refuse to acknowledge
that it's entirely reasonable to enjoy an audio system more - indeed
genuinely hear a better sound - just because it has certain
non-auditory attributes that make you feel good. They argue that
because you can't distinguish them in a blind comparison, it's stupid
to prefer one over the other.

I'll sign off by saying that (once I've persuaded my wife) I will
almost certainly buy a Transporter. And almost certainly it will sound
better to me than my SB2. But I'm happy to acknowledge that this *may*
be mainly to do with the non-auditory aspects of the device. It really
is OK to prefer something just because it's sexier (and I'm not only
talking about women).


-- 
cliveb

Performers -> dozens of mixers and effects -> clipped/hypercompressed
mastering -> you think a few extra ps of jitter matters?
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View this thread: http://forums.slimdevices.com/showthread.php?t=28368

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