I see your point, but if you read A's statement it doesn't sound quite
so ridiculous.
Lets consider musical memory,  aural, visual and muscle  memory from a
musicians viewpoint. 
I memorize pieces quickly. If Ihave a piece memorized for a week and
then don't play it for a week I lose most of all 3 types of memory.
Conversely, a piece I have played for years will stay in all types of
memory for months.

In university, music students have aural dictation tests where they
have to write out a melody they hear or harmonies they hear(melodic and
harmonic dictation)

This is a skill that is developed with practice.
This skill is based on aural memory. The musician must remember that a
particular note he hears is the note he must write on the page.
To hone my memory I write out the pieces I play from my aural memory
without the guitar in front of me.

The performance of a piece of music is an act of remembering the
future, if we don't  don't know where the piece ends we can't play the
beginning with insight ( I am speaking hear of interpreting a through
composed piece)

My point is .not all aural memry is fleeting. The more and longer we
hear something the longer we retain it in our memory .

when I auditioned a new amp for my system I chose a few recordings I
knew very well. I had analyzed the compositional structure and was very
aware of the articulation of different lines.  I heard a big difference.
Rythmic articulation was
clearer, inner voices easier to hear etc.
If I had listened to unfamiliar recordings I think it would have been
harder to hear those differences.
So, is it possible that much blind testing relies on short term aural
retention rather than long term. Perhaps a blind test which uses
recordings testers are intimately familiar with on that system could
yield different results? I don't have an opinion on that, just
curious.

So listening to a composition for many months increases the long term
aural retention of the composition and could lead to a greater degree
of acuity  evaluation prcess.
I only mean to say  that this could be one factor in A's differing
results. There may be an aural component to this and not ONLY other
factors. 


opaqueice;144037 Wrote: 
> You're right on both counts - and it's never gonna happen.  There's a
> quote somewhere by John Atkinson about how in a blind test he couldn't
> distinguish between two amplifiers he regarded as very different.  I
> really love this quote, because it demonstrates such total
> irrationality - he concludes there must be something wrong with blind
> testing.  Not that the amps might sound the same - impossible! - but
> somehow that blind testing conceals differences.  Quite scary, since
> all of our drugs, medical treatments etc. are tested that way.  And
> completely ridiculous, since we have massive amounts of data that the
> opposite is the case - not to mention simple logic.
> 
> So if reviewers used blind testing and concluded that essentially all
> amps sound the same, the industry would fall apart - or at least suffer
> a major blow.  And any publication responsible for that would lose most
> of its advertising revenue and go under.
> 
> The quote is here, half way down or so:
> 
> http://www.hometheaterhifi.com/volume_11_4/feature-article-blind-test-power-cords-12-2004.html


-- 
tomjtx
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