It seems like many of us are perhaps too blunt ; )

Anyway, I appreciate this brief and understandable explanation.  So,
it's not a geometry problem, pure and simple, but a psycho-acoustic --
and an effect only apparent in certain recordings and, presumably, with
careful speaker arrangements.

I have several Living Stereo recordings.  Alas, they are on vinyl and I
no longer have a record player.  One more reason to buy more CDs...

Thanks!

Robin Bowes;165507 Wrote: 
> lafayette wrote:
> > Fair enough.  I appreciate the civil tone of your reply and am glad
> this
> > is behind us.
> 
> I am usually reasonable, if a little blunt sometimes. :)
> 
> > Well, the way things have been explained to me is like this:
> > 
> > The stereo image depends, ideally, upon a point source beamed
> directly
> > at each ear.  Now, suppose your speakers are on-axis.  That means
> that
> > you are getting the center of the waves emanating from the speakers.
> 
> > That is what you hear.  Geometrically, how could you hear something
> to
> > the outside of that line, unless it was reflected off a surface in
> some
> > way?
> 
> Ah, that's where the ear comes in.
> 
> Technically, you're right. However, with a suitable recording, the
> sound
> being transmitted contains localisation information from the original
> venue that tell the brain where the original sound was positioned in
> the
> original sound stage. This is "encoded" in phase differences between
> the
> left and right channels (i.e. short delays).
> 
> You will only hear this on "pure" recordings, i.e. those made with
> just
> a pair of microphones suitably arranged. Or possibly three, as used in
> the Living Stereo series of recordings.
> 
> It's also not all that common, given that the recording engineer is
> generally aiming to capture the whole sound stage rather than leaving
> some of out in the wings.
> 
> Hope this helps,
> 
> R.
> 
> PS. Of course, I may be wrong.


-- 
lafayette

Sweet Home Alabama
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View this thread: http://forums.slimdevices.com/showthread.php?t=31032

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