I thought I'd throw my $.02 in here.  I have just installed the TP this
week in my system.  I am looking to replace the redbook capability of
my modded tubed Modwright Denon 3910 (likely keep it for hirez, though)
with something that gives me all the obvious advantages of hd-based
playback (convenience, clutter-reduction, etc.).  However, it is
imperative that this step is a step forward, sonically.  I am eval'ing
the TP becaue I know that, in my system, the accompanying SB3 stock
will not cut it in the sonically-equivalent department, but might be a
candidate for Boulder or RedWine's soldering gun and upgraded PS's if
the TP doesn't come through for me.

My system is very highly resolving, but with a tendency to get to
strident if I don't watch out.  My Krell KSA-100 is the original (read:
highly-regarded, not the later cold, analytical ones) version of that
Class A beast and is, IMO, difficult to fault in some favorite areas
(iron-gripped bass control, dynamics, quietness).  But it's tendency
toward midrange ice requires me to feed it vacuum tubes.  My front end
is a tubed universal and analog vinyl fed into a Modwright tubed SWL
9.0 SE linestage.  As an aside, when I recently eval'd the vaunted
Moscode 401HR it's warmth and midrange bloom was too much for my
front-end, so I'm happy with the balance right now.  My main speakers
are RSA's new Sason mega-monitors, and the lowest registers are
augmented by a Paradigm Servo 15 room EQ'd by the Velodyne SMS-1.  The
Sason's are electron microscopes into the soundstage, and I like that. 
Enter the TP.  I'm using FLAC album sized files with cue sheets, and
sending FLAC across the wireless network.  No dropouts yet, although
I'm completely open to going wired if needed.

To paraphrase the latest 6 Moons review about computer audio, the
insertion of the TP was one of remarkable clarity, unsurpassed levels
of information, powerful bass, reference level dynamic performance and
excellent transparency. This TP does very many things very very well!!
Most of this is likely due to the superiority of the AKM dacs and the
supposed superiority of the lower jitter due to hard-disc playback. 
The main criticism I have is there is some major stridency in the upper
midrange and treble, and that on lesser recordings it's quite
problematic.  I'm not sure how much of this will "break-out" of the
system as it breaks-in (I am a firm believer in break-in of components,
although I've read very little discussion about the evolution of the TP
break-in process here or anywhere).  My modded 3910 is no slouch, and
to compare it's near-SOTA vacuum-based midrange buttery smoothness
(even though it's not a tube rec'd power supply yet) to the TP is
looking/listening in only one aspect of the solution...but an important
one.

I am going to do a few things over the next few weeks (during my 30 day
eval period).  I am going to let the TP break-in, I am going to do more
a/b with the Modwright, and I'm also going to set up my to-be-sold ATC
active 150's and run balanced outs from the TP direct into the 150's
(ala CliveB).  Dunno why I'm doing that, cuz I'm sold on the Sasons,
but while I have such a tremendous opportunity to do
TP-direct-to-active ATC's why not??

Here are my long-term options:  
a) stock TP once it breaks-in and shows me good midrange bloom
b) Anthony modded TP to "install" sonics such as better midrange
c) mod the SB3 digitally (with good linear PS) and go outboard DAC,
such as APLHiFi's upcoming tubed NWO DAC
d) stay computer-based but go the USB/I2S route with tube-based DACs
such as Wavelength, etc.
e) stay disc-based and get Dans's new tubed-rectified PS for the 3910. 
This is least favorite in that I'm hooked on the convenience and power
of computer-based audio.

In any regard I am going to go with Dan''s new LS36.5 linestage which
is tube-rectified and slightly warmer than his current linestage.  I'll
ping back in when things change.


-- 
ted_b
------------------------------------------------------------------------
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