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Question: analog or digital?
    
- analog: Rane AC23B active balanced analog crossover  with Alps
  potentiometer doing volume
- digital: Behringer DCX2496 with SB3 doing volume in digital domain
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taloyd;184747 Wrote: 
> 
> So is the digital-domain volume control unequivocally a bad idea, or
> given the fact that I'll have the gain stages set up so that the SB3
> will always be >70, it won't be so critical.
> 

For starters, I assume you realize the downfall of digital attenuation
either in the Sb or DEQ- which is reduction of SNR since the signal is
scaled but not the noise.

Is your alps pot in the former setup part of the analog EQ, or a
separate unit? If separate, I would try using full digital volume, with
the pot after the analog out of the system. People spend big bucks for
SNR reduction in equipment, so I see it as a free upgrade if you
already have the pot.

OTOH, I have found the Sb digital volume control to be utterly
transparent in my system, even below 70/100. There are a couple ways to
do it in Sb, the one I'm talking about is the software attenuation
programmed into Sb3. The other method is 'preamp attenuation', which
uses the attenuation inside the DAC chip itself. 

Using the remote volume, I'm guessing I'd be hard pressed to A/B the
difference between 70/100 vs. full volume, if the levels were matched
with an analog pot (my jolida has an alps blue). Some have mentioned
here that analog pots have their own problems, so it may be a
personal/implementation choice between systems.

The major benefit of the analog pot, beyond increased SNR, is the lack
of possibility for glitches, which might send a full volume noise to
your amp-speakers. Keep in mind a tick on the Sb volume control is .5dB
of digital attenuation. 70/100 means a 15dB glitch is possible, which
wouldn't be nearly as devastating to your speakers or ears as a 40dB
glitch from using Sb as preamp on volume 20/100.

Preamp volume control (inside the DAC) might offer some level of
protection here as well, as the DAC attenuation might override any
glitch in software. There was a post on this but I forget the answer. 

Personally, I try to stick with software attenuation for minor and
convenience adjustments, and use 100/100 for critical listening. If
critical listening level varies, then analog attenuation is used.

Good luck with your new setup.


-- 
Skunk
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