I have read both TAS and Stereophile for over 20 years.  The quick
answer is that Stereophile is much stronger on equipment and at best
mediocre on music, the best music overview they do is a feature called
Records to Die for once a year or so.  On equipment they are much
better due in part to John Atkinson's measurements, so in addition to
reviewer opinions you get some insight into the actual engineering
quality of the product.  The two do not always coincide, and if like me
you have no interest in a product that some reviewer likes but measures
as of borderline competence in design, then you will like Stereophile. 
For example, while Wes Phillips liked the Transporter a great deal what
you can see in the measurements is that it is clearly a
state-of-the-art DAC design and measured, at least as I read the
results, better overall than a much more expensive Naim CD player they
also gave a positive review to.  The Absolute Sound provides no
measurements or insight into engineering design, with the occasional
exceptions of Robert Greene on speakers and room correction devices,
and Robert Harley, the editor himself, who clearly has some technical
training.  However, their music section is much better.  Bob Genredon
is the music editor and an interesting popular music critic in his own
right.  While still not the same as reading Paste or some of the online
music sights like Pitchfork, TAS provides good music overview not just
in pop/rock but also jazz and classical.  Therefore, I end up reading
both.  Hope that helps.


-- 
rplert

Randy Lert
Linn LP12, Transporter, Linn Sondek CD12, Ayre C5xe, VTL 7.5 Reference
Line Stage, Ayre P5xe phone stage, Ayre V1 amplifer, Vandersteen 5A
speakers
------------------------------------------------------------------------
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