adamslim;198685 Wrote: 
> Mr T of Linn in the 70s demonstrated this with his Sondek turntable -
> everyone thought sources and amps were almost identical, and you just
> needed to spend on speakers.  With Linn, they were selling systems with
> £1k turntables and £100 on each of the amp and speakers (!).
Actually, at the time, there was absolutely no dispute that pickup
cartridges sounded radically different, nor even that pickup arms had a
major influence. What everyone did tend to believe was that the
turntable itself  - just the bit that turns the LP round & round -
would have no bearing (no pun intended) on the sound, provided things
like wow & flutter and rumble were suitably low.

What Tifenbrun managed to persuade (nearly) everyone through clever use
of marketing smoke and mirrors was that the turntable itself was *the
most important* part of the system. Hence stupidly unbalanced systems
that used a Linn LP12 with a cheap Acos Lustre arm and low-end
cartridge feeding a NAD 3020 and a pair of Videotone Minimaxes. The
most amazing thing is how long it took before the con was widely
exposed.

(And by the way: I was one of those who were suckered in. I still own
an LP12. It's a fine turntable but it's not the philosopher's stone
that it was made out to be back in the 70s and 80s. If I were in the
market for a turntable today, the LP12 wouldn't even be on the
shortlist).


-- 
cliveb

Performers -> dozens of mixers and effects -> clipped/hypercompressed
mastering -> you think a few extra ps of jitter matters?
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