pbjbryan;205674 Wrote: 
> 
> Many sounds have asymmetric waveforms, especially voice, horns, and
> percussion. The audibility of these signals can be affected by absolute
> phase reversal if these sounds are prominent, and do not have any
> reverb.
> 
> Many years ago, I listened to a double blind demo of absolute phase
> differences at an AES chapter meeting in one of the reference listening
> rooms at Dolby lab's headquarters in SF. And for many sources, the
> effect is not subtle. For others however, especially those with reverb
> or ambience, the effect is unnoticable.
> 

Very interesting.  Do you remember if any of the sources on which you
could hear a difference were complex musical selections, or were they
all tones or isolated sounds of some type?  Most importantly, was it
ever the case that one way sounded better - like an accurate
reproduction of the original sound?  Or did they just sound different?

The only published work on this I've been able to find is
http://www.aes.org/e-lib/browse.cfm?elib=6950 .  They find that
polarity is easily audible on special test tones (I've verified that,
it's easy) but for normal music it's mostly inaudible.  In fact the
only acoustic sounds they identify for which the results are positive
are solo piano and solo (acoustic) guitar, which is odd (since these
actually have the most symmetric waveforms).  For kick drum polarity
wasn't audible in their experiment.  

They speculate that the audibility for the piano and guitar has
something to do with transients, such as the initial phase of the
sound.  However that initial phase varies as you move in a circle
around a guitar player, so one might expect that even if the effect is
audible, it's not any more realistic one way than the other.


-- 
opaqueice
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