Shredder;267532 Wrote: 
> I spent months auditioning gear. Many DACs-Benchmark, Lavry, Musical
> Fidelity, Bel Canto, unmodded TP. Pres-MW9.0, Mac, Classe. All
> excellent. 
> 
> I chose the MW TP direct into my amps over the other options, ie nice
> Dac into nice pre, TP into nice pre, great Dac w/no pre.
> 
> You may disagree with my taste, but I didn't just just make this up or
> go on an on-line review. I did not just like it because it was
> expensive, because everything I auditioned was expensive and this was
> what I chose.
> 
> I have read many discussions on this forum in which modified Sbs or TPs
> were criticized. All, All, of the criticism, as far as I could tell came
> from people who head never heard the gear.
> 
> Give it a listen. I suspect most will like it. If not, you will be able
> to make an educated judgment.

hey, i dont argue with your right to spend your money and defend your
investment... but seriously, only adding such an unsophisticated tube
stage cannot compare to the built and sophisticated standards of a lot
of the factory built equipment you say you auditioned. Just the
specially made power supply of many of this devices (something that
your tube stage doesnt have) makes me read the modright thing as
gimmicky only....


-- 
GuyDebord

Reference3A RoyalMaster monitors biwired with van den Hul Inspiration,
REL Strata5. AMPS: Pathos Classic One MKIII's in mono config. ANALOGUE:
Clearaudio Ambient CMB, Satisfy Carbon & Lyra Helikon SL, ASR MiniBasis
SQ preamp, link: WireWorld SilverEclipse 5.2. DIGITAL: SlimDevices
Transporter, link: AcousticZen Silver Reference2 XLR’s. POWER: Isotek
MiniSub GII, Isotek Elite cables (MiniSub, Rel), Siltech SPX30 MKII
(Transporter), van den Hul Mainstream (Pathos) & van den Hul Mainserver
(ASR).
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