Phil Leigh;294012 Wrote: 
> I hope to be hearing the DS later this month - so I will refrain from
> commenting on it until then, except to say that I doubt it will "blow
> away" the SB into a good dac, never mind a transporter.
> In 30 years I've only heard two "blow away" moments...(I guess I must
> get out more)
> 1) Linn Aktiv Bariks vs passive - that was jaw dropping at the time
> (1988)
> 2) Linn Troika vs Linn Basik (wow - a £500 cartridge blows away an £80
> one!)
> 
> Since then it's all been rather small improvements to be honest.
> Picking up David's point, I tend to use a handfull of tracks to assess
> initial quality. This is followed by long listening to a wide variety
> of material, including some difficult digital renderings.
> 
> For example, I often use:
> 
> School from Crime of the Century by Supertramp. The cymbals when they
> arrive 
> are a big help to me.
> One Night In Paris by 10CC - a wealth of detail to be retrieved
> Sledgehammer (Peter Gabriel, So remastered) - can be like nails on
> glass on some systems, especially when LOUD)
> Mezzanine (any track) by Massive Attack...good for bass
> control/response...this disc can set rooms into a resonant frenzy!
> In Between Dreams by Jack Johnson - astonishingly natural sounding
> vocals and guitar - if it doesn't sound like he is "in the room" then
> something is wrong.
> Bells of Berlin by Lone Star from Firing on All Six - this is a really
> dynamic rock track that will sound dreadful if the system lacks dynamic
> capabilities. It also has challenging synth tones and a really good drum
> track.

Thank god that you're replying here :-))


-- 
haraldo

Suse Linux Enterprise Desktop / SC7 -> SB3 -> Benchmark DAC1 -> Krell
KAV400xi -> Meadowlark Kestrel2 / Duntech PCL-15
Everything is difficult before it's easy
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