pfarrell;380240 Wrote: 
> 
> Old, what do you mean old? :-)
> 
> SACDs are old. When there was interest in SACD, ADATs were in common
> use. As were RedBook PCM systems.
> 
> My point was not that ADAT are currently popular, they are obsolete.
> But
> most music was recorded on analog tape, which has nothing in the high
> frequencies. Later, expensive studios stayed with 2" tape, and ADAT
> took
> over the modest studios, neither recorded anything over 20 hHz or so.
> 

By old a mean old recordings(more than 10 years). The opposite of what
is currently used. I also believe that ADAT was mostly used in what is
normally called B-studios or demo studios.

Good studio taperecorders(ex. highend studer/revox machines) can go
20hz-35khz +/- 1 db if you use the proper tape. Seen i that light a
samplerate of 44.1 is a step back, but maybe the digital signal is more
"correct", but it is a fact that most people listening would like the
sound from such a taperecorder better(maybe because the tape will cause
some compression in the bass etc.)

pfarrell;380240 Wrote: 
> 
> The point is that there is not lots of music recorded high-wide.
> 
> > Today most studios are using protools and many of them are capable
> of
> > recording 24bit/192kHz 
> 
> For sure, 24/88.2/96 has been affordable for six or more years.
> 
> That doesn't mean there are large libraries of music that is high and
> wide, waiting for a tiny fraction of a percent of music customers to
> demand that it be let free.
> 

My point is that you can already get some 24bit/192kHz and now that the
studios have equipment capable of it I think there will be more of them
(despite people now being able to hear a difference). I just don't
understand why build a transporter with a 192kHz D/A and then only
clock it at 96kHz max. I don't understand that

-- 
Pat Farrell
http://www.pfarrell.com/


-- 
Alfafa
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