fred1322;402362 Wrote: 
> 1&2 : the sonic improvments depend on the suplly of the digital part of
> your system. The better is the supply the less noticeable is the
> wordclock. For me the use of a symetric supply for the transporte, the
> DAC and the wordclock reduced the benefit of the wordclock

The vast majority of jitter in a s/pdif-connected system is inherent in
s/pdif itself. The interconnects and especially the receiving circuitry
are inherently susceptible to jitter, even data-correlated jitter
(generally considered Really Bad).  Even in a simpler system, it can be
shown that there's a point of diminishing returns that is easily reached
in optimizing the power supplies - after that you enter the realm of
transmission line issues and the inherent difficulty of recovering a
reasonable clock from manchester-encoded data. The latter is the
subject of a really interesting test developed by the late Julian Dunn,
which unfortunately is routinely misunderstood and misapplied by hi-fi
magazines to crank out nonsense figures for any digital product,
whether s/pdif is involved or not!  But I digress... :)

> 3 : I did'not have problems with the use of a wordclock with the
> Transporter. The inconvenient should be if you plan to use 24/94 or
> 24/88.2 files needing to change the frequency of the wordclock
> manually...

An important point. A word clock interface requires the DAC to provide
the _correct_ clock frequency, and this can change depending on the
material being played. Transporter will indicate what the correct
frequency is, using s/pdif's in-band signalling mechanism for such
info. Unfortunately, I am not aware of any external DACs that will
actually respond to it automatically, which means you'll probably have
to flip a switch when changing sample rates (if anything besides 44.1
is supported at all!)

>  but for the moment I can't manage to play 24/96 files with or without
> wordclock.

That's not right. I'll post some suggestions in the other thread about
this.


-- 
seanadams
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