Its nice to know someone else agrees with me about AES EBU, I always
thought I was the lone voice in the wilderness.

Anyway I see two main reasons for the inferiority of AES/EBU. 

1. XLRs are horrible RF connectors. In order to send a square wave
fairly faithfully the interface must support a bandwidth many times
higher than the frequency of the square wave. For the signals in
question that is getting well up into the RF spectrum where the XLRs are
terrible. The impedance varies radically with frequency which will cause
all kinds of bizarre reflections. The choice of XLR was a very poor
choice.

2. Output voltage. The S/PDIF electrical spec is 0.5V into 75ohms, but
the AES/EBU is 3-5V into 110 ohms. Think about that for a second, what
happens when you put 5volts across 110 ohms? You get almost 50mA of
current flowing. This means the driver sitting in the source box has to
be able to dump between 30-50ma into the cable. That causes huge current
spikes in the power and ground pins of the driver chip which is going to
cause big noise spikes in the power and ground planes of the board. If
you are not extremely careful that is going to cause significant jitter
in the output signal.

All modern high speed interfaces use less than 0.5V signal. 

As far as I can tell the XLRs were chosen because studios had lots of
microphone cables and wanted to use them. Because they are such lousy RF
transmission lines they had to go with high voltages to make sure there
was some signal left at the end.

John S.


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