Phil Leigh;589077 Wrote: 
> No it isn't - great sounding recordings remain (as ever) the frontier
> for MUSIC lovers. You don't need "hi resolution" for great sounding
> recordings.
> 
> What confuses people is that in many cases the only way to get buy
> great sounding recordings is in SACD/DVD-A/Blu-ray/hi-res download
> format. But it is NOT the format that makes them sound great (it is the
> mixing/mastering/post-prod) and great sounding recordings are available
> in standard redbook form - but you will not find any record company
> rushing to remaster it's back catalogue properly in redbook. There's no
> money in it for them.

I agree. Unfortunately, the only hi-res releases we are likely to see
in popular music are some classics that the record corporations can be
sure will sell fairly well (Beatles,solo Beatles, Dylan, Doors, Tom
Petty, etc). Proper remastering for digital is apparently an expensive
and labor intensive process - good results require a lot of hours of
experienced engineers/ears.

I'm  a real fan of well done hi-res (the recent Band on the Run
Remaster,e.g.), but Phil is right that the quality of the original
recording and mastering is what matters most. I've got plenty of jazz
and classical recordings from the 50's and 60's that were competently
transferred to digital, and even the redbook CD's sound very good.


-- 
firedog

Tranquil PC fanless WHS server running SqueezeServer; SB Touch slaved to
Empirical Audio Pace Car; KRK Ergo, MF V DAC3, MF X-150 amp, Devore
Gibbon Super 8 Speakers; Mirage MS-12 sub; Dual 506 + Ortofon 20
(occasional use); sometimes use PC with M-Audio 192 as digital source.
SB Boom in second room. Arcam CD82 which I don't use anymore, even
though it's a very good player.
------------------------------------------------------------------------
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