pfarrell;601771 Wrote: 
> On 01/11/2011 02:44 PM, Phil Leigh wrote:
> > firedog;601760 Wrote: 
> >> specifically stated that the 16/44 is a downsample of the 24/44
> master.
> > 
> > They have exactly the same number of samples :-)
> 
> And as beloved as the ancient tape machines in the 60s were, its
> highly
> unlikely that there is actually any signficant bits in the last 8 bits
> of any 24 bit sample made from it. Those machines barely had 70 dB of
> SNR.
> 
> 
> -- 
> Pat Farrell
> http://www.pfarrell.com/

A lot of these older CD masters are perfectly fine - I feel sometimes
they are criticised for being too accurate! The EMI 88 Beatles
recordings are a case in point. The earlier Beatles albums sound brash
and some of the later ones sound great e.g. Abbey Road, most of
Revolver etc. It sounds to me you get what went in.

I don't know why things go wrong with most CD remasters. Maybe it's our
desire these days to "improve" everything? Or maybe it goes like this.
They do the transfer to red book with the more advanced technology. The
geeks are happy with their work but maybe a marketing guy comes along
and points out the new CD doesn't really sound much different to the
original CD. And certainly not on his or her system at home. "Can we do
something to the sound so we don't get sued for releasing effectively
the same recording?" Well, some tasteful dynamic compression might do
the trick? You might even hear hear more detail on the train or the
radio.

Who knows what happens really. But I can tell you the result, that most
(not all) CD remasters in my experience are more dynamically compressed
than the earlier CD master.

If you want remasters that are focussed on fidelity to the original
materials then, usually, that means specialist labels like Mobile
Fidelity. Also perhaps remasters for SACD or hi-rez - their buyers are
practically queuing up to describe all the differences they hear, even
when they don't exist (I'm being wicked again).

This is why usually I go for the very earliest CD master where a choice
of CD masters exists. Where my definition of best is "they have not
messed much with it" rather than my personal conception of what sounds
good! (The old accuracy versus 'sounds good' debate.)

What I have seen, heard and read so far indicates that EMI "messed with
it" less in 88 than in 09.
Darren


-- 
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