I find this work very interesting.  For a long time I have believed that
the present metods for measuring audio performance were very lacking. 
They are all based on sine wave steady state measurements.  This worked
well enough for showing harmonic distortion products and was very useful
in advancing audio design.  But music is not sine waves.  It is not
repetative.  There is no method I know of that adequately measures the
true performance of a system's performance to music.  The introduction
of TIM and other intermodulation distortion measurement techniques was
a huge step in the right direction, but still rely on steady state sine
wave stimulus.
I hope this type of measurement technique continues to improve and
become more widely used.  If the alorithm is improved to adequately
seperate time  errors and amplitude errors, I think it might improve
our understanding of audio design significantly.
I don't want to imply that just because this work shows differences
when using cable supports or "better" mains cables, that I would run
out and snap up all of the products, but I definitely find the results
interesting and look forward to more reports like this.  
Of course this does nothing to address what is "audible".  This is a
much more subjective question, and each person wll have to decide this
on his/her own.  But improving the methods we use to measure the
performance of audio equipment is a very good thing in my opinion.  How
you accept (or not) the information is up to you.  But for me, I prefer
to have all of the information, and sort it out as I see fit.
I would love to see this expanded to a step earlier in the process. 
They take the CD file as the starting point and apply the techniques to
the player and amplifier used for playback.  I'd love to see the raw
audio (analog) digitized by the measurement ADCs, then compare that to
the result after subjecting it to the process that makes it a redbook
CD, which is then played back.  How close does this get to the
original?

Terry


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TerryS
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