Kevin Haskins;639140 Wrote: 
> As a speaker designer.... my $0.02
> 
> #1. We have a better idea of what measurements correlate to a speaker
> that sounds "better".
> 
> #2. We have much better software tools for simulation. 
> 
> #3. We have better transducers due to #2 and we have better tools for
> measuring them (Klippel).  
> 
> #4. High quality low cost DSPs really allow much more ability to tailer
> the electrical transfer function.   You have companies that are making
> DSP room correction and that still seems to be problematic.  There is
> still some ambiguity about what should be changed about the in-room
> response and what should be left alone so there are situations where
> room correction can sound worse than the uncorrected version.  
> 
> I'd note.... that not all of these "improvements" have necessarily
> translated into universally better loudspeaker designs.   I routinely
> see poorly designed loudspeakers in the review pages of big-name
> magazines and they get great reviews even though we know, beyond any
> shadow of a doubt, that they would perform poorly in non-sited
> evaluations.  If you know what to look for... there are many more
> examples of good design too.

I guess the last paragraph here gets to the core of my question - how
do all of these advancements manifest in the quality of the sound
produced by a modern monitor? Let's assume companies like PSB, Paradigm
and Dynaudio do significant R&D and use new technologies to improve and
refine their designs.  Does this effort result in subtle improvements -
or something more significant?  Care to elaborate on a modern design
that you might expect to perform poorly on site?


-- 
esbrewer

Server:  2.4GHz Intel iMac w/ MacOS 10.6.5, SBS 7.5.2
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