audiomuze;655422 Wrote: 
> If you're getting stuff from HDTracks the process is a lot simpler -
> just file under crap!

Not quite crap just pretend high resolution, as in standard CD
resolution up-sampled to a higher resolution. Just how many frequency
spectrum graphs is it going to take for people to get the message. A
message along the lines of for every true resolution recording being
sold by HDTracks there are at least two pretend high resolution
recordings being sold by HDTracks.

Here's a frequency spectrum graph taken from one of the songs on a very
recent HDTracks offering: The Rolling Stones - 60's UK EP Collection

The BS write up about just the high resolution tracks are generated
(taken from the HDTracks site):

"For the analog to digital transfers, vintage reel-to-reel tape
machines were utilized - a modified Ampex 351 with original tube
electronics (full track mono and two track stereo) and an Ampex ATR-102
modified with Aria Discrete Class-A Electronics (full track mono and two
track stereo). A Sonoma DSD digital audio workstation was the chosen
high resolution format and Meitner Design ADC8 and DAC8 MKlV converters
were used for the conversion process. Cables used were the cryogenically
frozen type supplied to us by Gus Skinas of Super Audio Center. Gus also
provided much guidance to Jody Klein, Steve Rosenthal and myself for our
first time use of DSD technology. For this HD Tracks release, the Bob
Ludwig mastered DSD files were converted to both 176.4kHz and 88.2kHz
high resolution PCM with Weiss Saracon conversion software"

Pray tell, why does the graph below show almost nothing in the
frequencies above 22kHz, which just so happens is exactly what the
graph would like if it was made from standard resolution CD?

Graph:


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-- 
ralphpnj

Lock, Stock and Two Smoking Barrels -> Snatch -> The Transporter ->
Transporter 2 (oops) -> Touch

'Last.fm' (http://www.last.fm/user/jazzfann/)
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