Phil Leigh;686417 Wrote: 
> Well, it was a while ago. I used my Linn LP12/Ittok/Troika into a Linn
> phono stage then an Apogee ADC into a Digital Audio Labs soundcard via
> s/pdif. I can't remember exactly what software I used - probably
> FastEddie for recording/track splitting and DART for mild de-noising.
> Most importantly, I monitored the process on headphones - speakers were
> silent to avoid any acoustic feedback. Although the LP12 is reasonably
> good at feedback suppression/isolation it wasn't by any means perfect!
> 
> Albums were cleaned on a Keith Monks machine (thanks to a friend who
> had access to one), captured one side at a time, then split into
> tracks, then any severe "clicks" were taken out by hand (a very tedious
> process!) by editing at/near the "sample" level. Then a mild wash
> through DART if required to TRY and get rid of any residual noise - but
> this had to done judiciously - it's easy to overdo it and wreck the
> music. About 30% of my vinyl needed this final step. I only ripped
> stuff I couldn't get elsewhere on CD at the time - although 3/4 of what
> I ripped has since been reissued. The remainder was mostly obscure
> rock/pop stuff that sold 3 copies when released... Tarney/Spencer Band
> or Rockin' Jimmy Byfield anyone?
> Hope this helps
> regards
> Phil

Phil: Thanks very much for the information.

In deference to soundcheck's request, I'll start a separate thread for
this topic. (I'm looking for users' experiences with USB interfaces
such as the ART USBPhonoPlus v2, NAD PP3i, or Pro-Ject Phono Box II USB
Phono Preamp).

Best,

Guido F.


-- 
guidof

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