Daverz;686562 Wrote: 
> I haven't tried to be scientific about it, but my 24-bit rips do seem to
> sound notably better than 16-bit.  I'm using Audacity for recording, so
> maybe it's an issue with the way it does the conversion.  I've beein
> doing rips at 24/96 lately.  Disk space is cheap, and I don't do that
> many rips that space is yet an issue.

The idea is to always record at for example 24/96/88.2 do all post
processing you feel it need .

And then downconvert with for example dBp to 16/44.1/48 If you wish ,
you should use something with a good samplerate converting algorithm
and dither.

Do not record directly at 16/44.1 and then post process

The recording and processing at higher rates minimises all kinds of
artifacts.
Especially if some fillters is used for click and noise removal.

I can imagine the warps and clics can have a lot of energy so headroom
is needed when recording.

Just like in a studio you work with higher rez recording and producing
even if you only intend to produce a humble redbook cd :)

Hmm that stereophile link was a good one never considered pickup
resonances.

Good luck with vinyl rips, there is a lot of stuff out of print , wish
I did this before selling off my LP's :-/


-- 
Mnyb

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