Are we mixing two things in this tread recording and playback ?

Are they not all kinds of very good reasons to record at higher rates
24/96 produce the thing and then properly normalise downsample and
dither and have a well produced 16/44.1 CD .
And this sound just fine , it is very likely that most of us would fail
to abx this.

Is this not in fact the typical mo of modern recording ? ( with the
destructive loudness war phase removed )

Dow sampling well done modern hirez production is one thing to abx .
( not one off hdcraps 45y old analog rock classics I bet here 14bits
are ok ).

I can donate some itrax tunes ( aix ) for the purpose or a chesky .

But recording all tracks at 16/44.1 and then produce the whole shebang
at this rate ?
And do the same process at higher rate in parallell ? This would be
interesting to abx.

The pro's that are in this tread, are there any ADC's you would
consider transparent especially one that also can do 16/44.1 as oposed
to the modern 24/48-192k setting and have > 1 of them ?

Wombat or phil may be able to find studio time ? Afaik your studio
software would remeber what you did when producing so repeating these
steps would be feasible.

What would a modern DAW do whith 16/44.1 original data would it
upsample and turn it to 32 bit floating piont data so that all plugins
eq and stuff would work transparently ? Can this be defeated ?

Anyone any good at singing or playing ?


-- 
Mnyb

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