Wombat;691808 Wrote: 
> Today there are several DSD ADCs but these are Multi-bit DSD and these
> can produce very good data. One should keep in mind that even editing
> software as Pyramix needs to convert the DSD to PCM for any processing
> done :)
> 

All start with a 1-bit DSD source. All can deliver a final 1-bit DSD
"master." How they get there is a different story, though.

The Pyramix, the instant you put the system in edit/mix mode, converts
the DSD source to 24bit,325.8kHz pcm for all editing and then
re-converts back to DSD for the output to DACs or mastering. All DSD
audio, from beginning to end of what you're working on, has gone
through the conversion/re-conversion process. This is NOT just simple
math being performed. The audio goes through internal pcm and
sigma/delta converters for the process.

SADiE (or Sonoma) keeps the DSD source as DSD (no conversion) except at
the actual edit crossfade, where an insert occurs the length of the
crossfade of 8bit,2.8Mhz pcm and back to DSD. This conversion occurs
ONLY at the crossfade. All DSD source on either side of the edit is
untouched as long as the "bypass mixer" button is pushed I defy anyone
to hear the conversion effect for the duration of an edit
crossfade!There is no low-pass filtering used or needed. The "annex"
DSD metering verifies there is no increase in UHF noise.


-- 
TheOctavist

Vortexbox>SBT(stock)>>Forssell MDAC-2>>>Klein and Hummell 0300D

Sota Sapphire/Lyra Kleos>>Bespoke Valve Phono Stage>>Mastersound Due
Venti>>Link Audio K100
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