Wombat;695169 Wrote: 
> I did indeed some testing :) 
> I ended up with this setting (using it with frontah):
> 
> sox.exe input.wav -b 16 output.wav rate -b 92 -a -v 44100 dither -a -f
> low-shibata
> 
> I give up audio content from above 20286Hz with this. 
> With this setting aliasing happens but only above 20800Hz at a low
> level because the response is already pretty down there my testfiles
> show. Since my Transporter cuts from 20600 @44.1kHz it has no chance to
> be a problem.
> One advantage of this early filter is there is nearly no pre-echo but
> that was no criteria for me. You may have seen the pics i linked
> earlier that show the pre- and post-echoes of different approaches.
> This setting also gives me much less clipping as some ultra-steep
> attempts especialy by other vendors. Since clipping is a real problem
> that i stumbled across all the time this is very welcome.
> The sox dither options are well done also. Sox offers different noise
> shaped forms. I tried all by listening them insane loud and decided for
> the low Shibata. It has similar added noise i hear well balanced between
> some HF noise and lower frequency stuff. The Gesemann for example
> doesn´t fit me at all. 
> Really strong high-pitched noise i hear with that.
> You may wonder why iZotope is so hyped. The noise it adds is very much
> low-frequency and sounds most comfortable at first but i don´t like
> it.
> There are much stronger shaped noise-shapes like High-Shibata that
> really seem to allow even lower noise-floors. But with these i am a bit
> cautious. The only time i ever was able to abx a downsampled 24/96 file
> was with some strong shaped dither. The thread is on Hydrogenaudio
> somewhere. I didn´t have the originals to do my own tests and used the
> given samples so this may not be exatly valid.

Interesting , to connect it back to the topic we stablished that a
signal based on 16/48 or 44.1 migth indeed encode all we can hear this
all good .
But is their any way of actually getting there ? " yes " apparently
some resamplers fit this description others don't .
Is there any " gold standard " abx'ed to be inaudible that is well
tested ?

As you described some sound engineers may choose a resampling algorithm
that is not transparent but give some desired coloration in the process
?

This is a slight contradiction why not choose the one algorithm that
gives the least amount of difference especially as the goal is to make
it inaudible , why tweak something your are not supposed to hear ?
Is this some kind of working method from when resampling was not so
well developed .
To reach the objective do a sound engineer chose different approaches
for different projects ? Regarding the resampling .

Starts to wonder if many older releases are compromised by the use of
older less optimal solutions


-- 
Mnyb

--------------------------------------------------------------------
Main hifi: Touch + CIA PS +MeridianG68J MeridianHD621 MeridianG98DH 2 x
MeridianDSP5200 MeridianDSP5200HC 2 xMeridianDSP3100 +Rel Stadium 3
sub.
Bedroom/Office: Boom
Kitchen: Touch + powered Fostex PM0.4
Misc use: Radio (with battery)
iPad1 with iPengHD & SqueezePad
(in storage SB3, reciever ,controller )

http://people.xiph.org/~xiphmont/demo/neil-young.html
------------------------------------------------------------------------
Mnyb's Profile: http://forums.slimdevices.com/member.php?userid=4143
View this thread: http://forums.slimdevices.com/showthread.php?t=93990

_______________________________________________
audiophiles mailing list
[email protected]
http://lists.slimdevices.com/mailman/listinfo/audiophiles

Reply via email to