prutten wrote: 
> Hi guys,
> 
> I just stumbled across this thread today and noted it had gotten quite
> detailed on the technical issues of digitization (which is rather
> applies to all digital amplification), and wanted to rather respond to
> the OP's question on the NAD c390dd. I have listened to the c390dd now a
> lot - firstly next to other amplifiers and also now at home ;-)
> 
> I can truly recommend it strongly from a listening perspective. I felt
> the amplifier doesn't have any fuzziness, no problems with project a
> wide soundstage even in complex pieces of music at strong volumes. I
> really like its transparency - you can hear everything. Now it might not
> have the charm and warmth of some tube amplifiers, but that warmth to me
> is often rather taking away from the original sound as it was meant to
> be, but hey, that's just my opinion. I found that the description of the
> M2 on Stereophile pretty much matches my experience listening to the NAD
> - so at least perception-wise I feel I am getting great value for
> money.
> 
> Also, what I liked is that this amplifier just invites me to listen a
> lot more. I don't get tired by extraneous sounds, additions.
> 
> As an engineer myself, I appreciate the beauty of just have a streamer
> and a straight digital path through the system - this is perhaps not a
> listener's concern, but it certainly is a cool feature
> 
> What I also liked about the product that - in good NAD style - it is
> just very pragmatic, offering connections for both my streamer, 2
> speaker home cinema, my PC, a second DVD player, etc.
> 
> All in all - I would definitely recommend you to go out and listen to
> this amplifier!
> 
> Kind regards,
> 
> Paul
> PS I listened to the NAD c390dd in conjunction with both KEF, Dynaudio,
> Dali and Sonus Faber speakers. I eventually settled on the Sonus Faber
> Auditor Ms - that's another story of course.

there is an interesting thread in an australian forum which is comparing
the M51 and c390dd, some think the sound gets warmer after burn in.


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