mwiedrick wrote: 
> Believe me, the analog-to-digital-to-analog sequence certainly dawned on
> me as well but I was hoping to go with that method for two reasons:
> 
> 1) minimize the number of connections to my amplifier 
> 2) utilize the volume control within the Transporter for the turntable
> output

You connect transporter directly to a power amp then it makes sense ,
Transporter has it jumpers for gain-scaling so that should be totally
transparent to use Transporters digital volume .

Don't worry to much about the ADC in respect of transparency or
resolutions the inherit vinyl problems and noise are several magnitudes
bigger . However if set the gain wrong at the ADC you can get problems
to low = noise, to high = horrible clipping so it's going to be 
somewhat fiddly process to ever get it right , and it's not going to be
the same for every record ,hence why not make files of them and do it
once .

What kind of turntable and cartridge do you indend to use , any hifi
pretensions or is this just for fun and games , in that case turn the
gain on ADC so that the loudest record you have does not clipp it and
leave some margin and just enjoy , heck I bet that in most cases this
would be transparent to the vinyl and phono stage anyway .

Btw do use 24bit stuff that’s going to give you a lot of headroom and
slush margin for errors , it's has been shown that 16/44.1 recordings of
vinyl are indistinguishable from the original but that’s leave very
little margin for errors if you want it to just causlly sit there in the
hifi rack 24bit is the way to go I bet all you can get nowadays is 24bit
if you buy new .

Btw you can record at 24bit do some post processing if you want click
and pop removal then normalize and down-sample to 16/44.1 files to use
later .
It is popular to trade vinyl rips but then you better keep them 24/96
mostly because that’s seems to be the accepted format for that trade .


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