Jeff52 wrote: 
> No I'm not in Bratislava...that's a long story but I'm in the US. I'm
> currently using a generic brown six feet extension cord but I have a
> white one I might try too. I had not considered that the color might
> also influence the sound but that stands to reason as I have read a lot
> about coloration of sound. I guess I need to be more open-minded about
> tweaking. I don't know whether it was a Freudian slip, but I did notice
> your reference to an extension chord rather than cord. :)
> 
> I think I'll remove all of my acoustical treatments and start
> experimenting with different color interconnects, speaker cables and
> extension cords in order to tune things in that fashion. Perhaps I will
> find something and then will be in a position to comment about it; of
> course using audiophile approved phraseology and terminology.

However you forgot the single most important characteristic of any piece
of audio equipment or accessory with respect audiophile concerns: COST

For example a $3,000 silver colored power cord will ALWAYS sound better
than any $300 power cord regardless of color.

Remember that this is a universal rule (actually it's more like a law)
and any methodology that gives a result that runs counter to this rule
is to be disregarded. So for example if a carefully controlled and
perfectly run series of double blind listening tests clearly show that a
stock power cord, a $300 power cord and a $3,000 power cord all sound
the same then one can only conclude that double blind listening tests
are worthless since otherwise it would violate the universal price law.

There are many corollaries to the price law, such as the equipment of a
frequent advertiser, particularly an advertiser who runs several full
pages per issue, will always 1) be given extensive and positive coverage
and 2) sound better than similarly priced equipment from
non-advertisers.


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