SoftwireEngineer wrote: 
> Note, the comparison with Touch -
> http://www.the-ear.net/review-hardware/nad-m50-m52-streamer-server

Thanks for the link...  A few choice quotes:
"You could either work with a Logitech Squeezebox or you had to look for
high end solutions like dedicated music servers with USB out or
proprietary ones with their own D/A converter on board. Indeed, a
Logitech Squeezebox is not too bad, but in a high end set-up it looks
rather out of place."
-- Doesn't really "look" out of place to me (although I have the
Transporter in my main system)... But hey... I guess "looks" are
important to some.

"The Ethernet cable between a Cisco switch and the M50 is ordinary CAT5.
It cannot make any difference says my brain, *I am a network expert* and
we transport gigabytes of data over these kind of cables. But a week
later I try a CAT7+ cable from Supra and although I do not understand
why, again the total sound quality improves. This one meter piece of
cable works like changing from an ordinary power cord to a good one."
-- Someone sell this man some really expensive "audiophile approved"
CAT7+ cable please! It doesn't look like these Supra cables are
expensive enough...  He neglected to mention the M50 is only 10/100
ethernet! I wish a "network expert" can a least delve a little into this
cognitive dissonance. (No matter how much I try, I also cannot convince
myself power cables make any difference for me.)

"Let me start the listening experience with the Logitech Squeezebox
Touch, which I have used without any complaints for over a year. Sadly
no longer in production, it was very good for its money, until the M50
arrived. Suddenly it Touch didn’t sound so good, the stereo image
is smaller, it has a more sterile sound and is a touch metallic and
sometimes voices seem to hiss. This was never very obvious but is easy
to hear in direct comparison."
-- From earlier in the article this person is comparing the two units
plugged into the Esoteric D-07 DAC by coaxial SPDIF. To make matters
even more questionable, he uses the Esoteric's PCM->DSD upsampling which
deteriorates PCM by the conversion process and measurably adds noise
above 10kHz causing the noise floor to be even worse than 16-bit PCM
(see the Stereophile review of the Esoteric).

Consider this - *how* could the Touch have a "smaller" stereo image,
sound "sterile", "metallic", and add "hiss" to voices (only!? Why not
violins or piano?) digitally to the same DAC? Does this even make any
sense unless the M50 has some magical smoothing, vocal noise-reducing,
stereo expansion DSP? If you think this has something to do with jitter,
consider just how *poor* the Esoteric D-07's measures in terms of jitter
- even WORSE than the Touch itself!

Of course I'm not saying the M50 is bad or anything, but the rationale
and effusive praise seems a bit hollow to me. For $2500USD, you get a
"streamer" + CD transport which doesn't even have a built-in DAC. Not
much of a deal IMO.

Stereophile review of Esoteric D-07:
http://www.stereophile.com/content/esoteric-d-07-da-processor


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