firedog wrote: 
>  ... But as I stated, I think DSD derived from analog is a very
> legitimate use, and from my reckoning, of about 8000 SACDs in existence,
> about 1500 are recorded in native DSD. Many of these SACDs still aren't
> available in any other hi-res format. So I don't see the problem with
> either the native DSD ones or the SACD/DSD derived from analog.
> 
> All that said, I do think the future of hi-res is in 24/96 and 24/192.
> And I certainly have no problem with that. I just wish there was more
> new and archive material available in properly done hi-res.

[apologies for late reply]

I've whimpered about this before, but I still hold out hope of a
resource, listing recordings available in hi-res, with notes on the
various versions, and how they relate to original mastering, etc.

e.g. just as you say, "this recording was originally recorded in DSD,
and thus this SACD version is the best available", or "these 24/96 files
are in fact upsampled from some old vinyl that the engineer found in his
lavatory", etc, etc.

I would love to see that, rather than have to fight with the loonies in
various HD forums; after getting used to the sense talked here, I can't
bear it...


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