Interesting comment Firedog. I have not heard the Sony but will
certainly give it a try when I'm next at the dealer.

As one who has been buying SACDs since about 2001, ripping my SACDs
since 2012, having played with PCM --> DSD conversions like with JRiver
upsampling, and have some experience with the whole PCM <--> DSD
conversion process (see the 'post on my blog this week'
(http://archimago.blogspot.ca/2014/04/analysis-comparison-of-dsd-encoders.html)),
I personally do not feel DSD adds anything special to sound quality. A
well done 24/96 (especially multichannel!) is as good as anything I've
heard from DSD over the years...

As suggested by the conversion results on the blog post, I'm quite happy
with 24/88 conversions of DSD64. Accuracy is excellent so the math is
good! In fact, mainly for convenience and space savings, I only bother
keeping about 20 of my SACDs as DSD on my server mainly as demos for
friends who want to have a listen. The rest I keep as 24/88 for
streaming to the Transporter.

I suppose one could argue for the high sampling rate of DSD (temporal
resolution of things like impulse responses) and filter difference, I'm
not one who has experienced or believe that they make much difference
ultimately compared to a good upsampling linear phase PCM filter.

firedog wrote: 
> ... BTW, if you haven't heard a native DSD recording of acoustic
> instruments, you might be amazed at how good it sounds. I have a couple
> of native DSD orchestral recordings that simply are the best sounding
> recordings I've ever heard of a symphony orchestra. Period.

Can you tell us which recording you're referring to here? I would
certainly love to have a listen... Maybe even try resampling to PCM to
see whether I hear a difference.



Archimago's Musings: (archimago.blogspot.com) A 'more objective'
audiophile blog.
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