Mike Sargent wrote: 
> I think there is serious money to be made by someone who builds a device
> that sits between a CD player and an amp that introduces all of the
> distortions, frequency limitations, wow & flutter, etc. that vinyl has,
> and then periodically adds a click or snap to the audio and maybe even
> once a day skips forward or backward on a particularly loud passage to
> simulate a tone arm skip. An extra cost option would allow the user to
> control just how badly the mismatch is between the RIAA equalization
> curve applied during recording and playback. It could include a
> magnifying glass so CD artwork appears as big as an album cover.
> 
> I think I'm off to the patent office.
> 
> Mike

we where halfway there in the early 90's there was an actual device that
downtransformed and anti-riaa filtered the output of CD player to
something you could put into your phono input on your beloved high end
rig .
I'm surprised that it did not caugth on  ? it's cargo cult enough to be
an instant hit ?

I'm also miffed by how some audio writers that claims to know stuff
misunderstand the implications of correctly used dither noise in digital
audio. Claiming nonsense like at minus such and such dB the music is
only presented at 5 bits that’s not how things work .
The noise in a dithered digital chain becomes random and uncorrelated to
the sampling  it's mathematically equal to random analog noise such as
tape noise , the dithered digital system then behaves like the perfect
analog system that never was a signal and a noise floor .

See Monthys videos about digital audio at xiph org where he presents a
signal presented by 1/4 bit clearly visible in the noise if you don’t
believe me :) and also debunks the myth that a digital system does not
get it's timing better than the sample rate .

Our reconstruction filters in our digital systems may not be perfect but
that’s really a red herring these errors are magnitudes below what vinyl
or tape does to the signal .

So using 11-13 bits it's no problem when doing a vinyl rip so 16bits is
just fine . However in the procedure I would use 24/96 ADC and then run
some minor adjustments and anti click if necessary , but then
downconverting to 16/48 would not do any harm .
Actually capturing >20kHz from a vinyl in practice the very best pickups
in the very best turntable and arm and a vinyl in mint condition might
do it .



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