Summarizing that article, in the reviewer's experience with the
MQA-processed files at hand:

- MQA played on an MQA-enabled DAC sounds "better" than its non-MQA
hi-res equivalent
- MQA played on a non-MQA DAC sounds "better" than its non-MQA
equivalent.

In other words, MQA has the potential to offer sound quality improvement
for everyone not just those with MQA-enabled DACs.  One man's opinion
but intriguing nonetheless.  He offers some technical insight in the
article as to why this would be the case.  I'm looking forward to an
opportunity to test this myself with music that I know well.

Alas, I fear it will be of limited utility to me.  I'll never subscribe
to Tidal and much of the music I most love -- "golden era" classical --
will likely never be released in the MQA format.  Even if, at this stage
in my life I don't see myself buying all of these titles one more time. 
Cool for young people coming into the market, though.

arnyk wrote: 
> More specifically, they claim that MQA sounds better than 24/96 linear
> PCM, which is a common reference If it in fact sounde better than the
> reference, then it is obviously audibly colored, which most would agree
> is a FAIL.
I understand your argument but the author's explanation is that MQA --
being a "process" encompassing the entire recording/playback chain --
removes the distortions (frequency and temporal) to which we've long
become accustomed in non-MQA source material.  (Compare to the Plangent
processing applied to master tape sources on some recent digital
remasters.)  Again, I believe it makes sense to withhold judgement
pending personal experience with the format.


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