> 
> • Arnold: English, Scottish, & Cornish Dances. Lyrita SRCS-109
> • Brahms/Debussy/Bartók: Sonatas/Abel, Steinberg. Wilson Audiophile
> W-8722*
> • Gerhard: The Plague. Decca Head 6
> • Gershwin: Porgy & Bess complete/Maazel. Decca SET 609-11*
> • Herold-Lanchbery: La Fille Mal Gardée. Decca/ORG 0109-45 (45rpm)*‡
> • Hi-Fi a la Española. Mercury/Classic SR-90144*
> • Holst: The Planets/Mehta, LA. Decca/ORG 122-45 (45rpm)*‡
> • Prokofiev: Scythian Suite. Mercury/ORG 118-45 (45rpm)*‡
> • Rachmaninoff: Piano Concerto No. 3. Mercury/Speakers Corner
> SR-90283*‡
> • Ravel: La Valse/Paray. Mercury/Classic SR-90313*‡
> • Respighi: Feste Romane/Maazel. Decca SXL-6822
> • Stravinsky: The Firebird/Dorati. Mercury/Classic SR-90226*‡
> • Widor: Symphony No. 6, Allegro. Mercury SR-90169
> 

Some great recordings here, though a few are are not to my taste.  I see
no reason not to seek out the CD transfers (I think all of these made it
to CD, except maybe the obscure Wilson Audiophile recording?)  Many of
the classic Mercury recordings have been collected together in cheap CD
box sets.  I think most of the Lyrita catalog made it to CD, and many of
those recordings were made by Ken Wilkinson.  Some of the best sounding
stereo recordings ever made.

Assuming a work, performance or recording is bad just because TAS
recommends it is pretty silly.


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