If your stereo speakers are properly spaced, aligned and in phase and
you are seating in the 'sweet spot' the left and right channels should
'disappear' and the mono recording will appear to come from the 'phantom
center'.

This is assuming that the CD recording is properly mastered, mono tape
was played back on a mono player (not one with a stereo head) so that
the left and right channels are properly balanced.  

Julf has some good advice above; using Audacity with those instructions
and saving the file as mono will also reduce the file size.
If you are going to convert your mono records to digital and don't have
a mono cartridge, you can use 2 "Y" RCA connectors to combine the
channels, then gently use software like Click Repair to remove a bit of
the static, feed that file into Audacity to make sure that here is no
clipping, and then optionally select one channel and save as mono.

Supposedly The Beatles were actively involved with most of the mono
mixes, but left the stereo mixes to the engineers.  (3 days to mix Sgt.
pepper in mono, and 3 hours to mix the stereo or something like that)
Stereo LPs were like $1 more than the monos back in the day, and the
'wide' stereo mixes (with bass and vocals on one side and guitar and
drums on the other) gave the customer the feeling that they got more for
their money.  Same with The Rolling Stones, Bob Dylan, and many others. 
As mentioned in the article, the mono Revolution has much more power and
punch than the 'ice cream stereo' as Lennon put it.


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