jfo wrote: 
> It seems that the industry still hasn't come with a meaningful standard
> definition of Hi Res, so we will continue to see marketing hype for so
> called Hi Res material. Dr Mark Waldrep sums up the industry approach
> nicely in an excerpt from his post CES blog....
> 
> "There seems to be a collective effort to market hi-res music without
> any regard to whether it makes any difference. They’re all chasing the
> wrong end of the music fidelity beast. Instead of putting on slick
> presentations in expensive booths, or assembling a panel of so-called
> industry experts, they should start by creating recordings that actually
> possess better fidelity than we’re currently getting. They’ve defined
> all music ever created as hi-res if it’s delivered to you in a
> high-resolution digital container. I was unimpressed."

Yup. All of this is pretty well nonsense (as 'discussed recently in a
blog post'
(http://archimago.blogspot.com/2017/01/musings-on-ongoing-push-for-hi-res-and.html)).
The industry needs to be seen as doing something different and new to
sell yet another "version" of the same thing.

Most of these 24/44 releases are totally ridiculous dynamic range
compressed <DR10 albums that I have seen recently. Stuff like Carly Rae
Jepsen, Justin Timberlake, Lady Gaga, etc. Obviously stuff that could
have been 12/44 and sounded just fine :-).



Archimago's Musings: (archimago.blogspot.com) A 'more objective'
audiophile blog.
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