Hi all.

Pain meds have now kicked back in, so no need to overdo the opiates
today! Hopefully a little less crazy to boot...

Rigged up my 2 new speaker-level cables to achieve full stereo
separation on my PV1 subwoofers, and rolled them around so they're
sitting at the foot of my 805S stands. This looks much prettier, enables
me to hide the wiring, and it worked first time. Bonus ball!

I'm now listening to a very clean 24 bit 96kHz FLAC file of Hendrix'
Electric Ladyland. I still have the original vinyl double album with the
contentious artwork. The nice ladies who agreed to pose au naturel in
return for some dosh were apparently not at all taken with the strong
green tint applied to the resulting photograph for the original LP
release! The totally PC replacement cover that was quietly substituted
long ago is sadly very bland indeed.

Oh, and  yes, I know that the master tapes for this recording are
analogue, but they are 2" wide and fly past the tape heads at a fair
lick (at least 15"/sec, probably 30). That results in considerable
dynamic range above the tape hiss, which I suspect has anyway been
magically spirited away by the digital mastering engineer because I
can't hear it at all. I don't think my hearing has got that bad yet.
Btw, the band's instruments were analogue too, FWIW.

Returning to the PV1's, having two sub-woofers in play has certainly
improved the room interface, although I still have some acoustic
panelling in my mind. You can get them with any artwork you want printed
on them: I rather like Rothko's stuff (and admire his effrontery when
exclusive NY restaurants started buying them up, thus denying access to
the hoi-polloi), but I think the rhythmic essence of Jackson Pollock's
abstracts and the proportions of his canvases may be more appropriate
for my walls. I'll have to settle for plain panels on ceiling however,
since they don't offer a mirrored finish ;).

In addition, I'm rather surprised that the low frequency soundstage IS
better with the true stereo wiring. This is probably because the -6db LF
point of my 805S's is quite high at 42Hz, and of course the PV1s'
crossovers will make them function to some extent at higher frequencies
than that to flatten out the roll-off of my stand-mounts. The effect
would probably not be so pronounced for those with larger floor-standing
loudspeakers crossing over to subwoofer(s) at a lower frequency. Anyway,
I'm happy, and Jimi & Co are still rocking-out merrily. With four agile
8" metal cones having a greater combined surface area greater than a
single 15" speaker, and 1000W of Class D amplification to drive them,
they really do sound the business. 

Hope you're all having the pleasant musical weekend of your choice.

Dave :cool:


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