Hi all!

Since it's all gone slightly quiet, I thought that I would ask the forum
about an issue to which I do not know the answer.

I'm thinking here of the contrast between my current 2-way B&W 805S
speakers which are a ported design with a carefully shaped cabinet
(which in fact has no parallel sides), a single mid-bass driver only
6.5" in diameter (although having a Kevlar composite cone to minimise
cone break-up), a completely separate aluminium dome tweeter located on
top of the main cabinet, and is claimed to have a very simple passive
crossover circuit which has a high nominal crossover frequency of 4kHz
and a pair of Spendor BC3 loudspeakers I owned back in the 70's, these
were massive rectangular boxes of a 4-way design, comprising a 12"
woofer, an 8" mid-range driver, a tweeter AND a super-tweeter above
that. Despite the size of the these speakers the 12" driver was loaded
in a reflex arrangement with 2 forward facing rectangular ports; the 8"
driver had its own sealed enclosure concealed within the main cabinet;
but most significantly the whole arrangement was controlled by a
literally massive full 4-way, half-section passive crossover which had
inductors the size of small transformers. As a consequence they
represented a very difficult load with volatile & often reactive element
dominated impedance. There were too many individual sound-sources to
integrate easily within one loudspeaker and some problems with phase
aspects around the 3 separate crossover points which if I recall
correctly were 800Hz, 3000Hz & 12000Hz.

Ok, there's the trade-off, agile & well-imaging stand-mounts but with
limited LF vs. more complex (usually, not always) floor-standers with
more extended LF & probably higher power capacity but often with larger,
less agile woofers and inferior soundstage presentation. Off-axis
response is also usually easier to control with a simpler design.
However the most obvious reason to go for stand-mounts remains that they
tend to work better than larger boxes in small rooms & are usually much
less fussy about speaker positioning.

This much I think I understand, but please feel free to comment or
correct me if you disagree with anything I have suggested above. I would
obviously accept that a poor implementation will remove the potential
benefits of any given loudspeaker's basic layout.

What interests me however is what happens from the power amplifier's
perspective when a stand-mount receives signals at frequencies below its
LF roll off point, where air resistance within the cabinet is
mechanically reducing or preventing the motion of the LF driver. I
wondered at first whether this effect might in some way cause the
speaker impedance to rise for frequencies significantly below its LF
roll-off point, and spent some time scouring the internet for a
published impedance vs. frequency chart for my 805S's. I did finally
find one, although it had not been produced by B&W themselves, which
seemed to indicate that impedance did initially rise in the LF region,
especially in the reflex reinforcement range, but then seemed to fall
again so that for frequencies which would be audible to the ear but
which my stand-mounts would struggle to emit even faintly, it was back
around the nominal 8 Ohm mark or lower.

This seems to me to imply that the speaker must still be drawing
significant power from the amplifier for such very low frequencies,
although it is producing little or no audible output. I can only assume
that this power must be dissipated by heating up the voice-coil of the
driver which cannot respond mechanically to such signals. This seems an
unsatisfactory situation which might in extreme cases cause damage to
the driver even though the signal was clean & not clipped.

The extended LF response is certainly there at the power amplifier
output posts - that is precisely what provides the signal for my active
subwoofers. These have an input impedance of 10KOhm however, so draw no
power to speak of at all, which is why their addition has no effect
whatsoever on the performance of the stand-mount speakers.

If this is true, why do stand-mount loudspeakers not include a steep
high-pass filter at 30Hz or so, to divert this power from the drivers
unable to turn it into sound, and presumably simultaneously reduce the
load on the power amplifier by increasing the impedance it is loaded
with below that frequency point?

Have I missed something here?

Dave (puzzled)


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