Golden Earring wrote: 
> This does not necessarily imply that high sample rates are bad per se.
> I'm still trying to catch up on the theoretical stuff, but I've had a
> hint that there may be frequency domain vs. time domain issues in
> establishing the best size box to stick a genuine recording into.

Frequency and time domains are just different aspects of the same
thing.

> Whether any such considerations would be audible in practice cannot be
> determined when only "fake" examples are currently available.

mark Waldrep (of AIX Records) is producing a book and recording with
genuine recordings in different formats and sample rates to allow for a
fair comparison. 'Link here.'
(https://www.kickstarter.com/projects/1856656547/music-and-audio-a-user-guide-to-better-sound)



"To try to judge the real from the false will always be hard. In this
fast-growing art of 'high fidelity' the quackery will bear a solid gilt
edge that will fool many people" - Paul W Klipsch, 1953
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