What about all the recordings that mastered <=48kHz ( 99% )

“They” want MQA encode every old record as usual and resell to us
again.

Even if this process worked it could only be aplied to these select
24/192 DXD DSD master that do exist.
And the legacy recordings should be left alone .

Same patterns as with SACD and DVDA where atleast 50% of the releases
where not hirez in any way.



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