If the ONLY distribution channel open to artists/record labels was a libre
channel sans DRM, would the artists/record labels (etc) stop producing and
distributing? I think not. They will still make more money out of such libre
publishing than they would:

(1)   if they didn’t publish at all
(2)   if they had published years ago when fewer people had access to such
material in the form of vinyl, cds, tape, etc.

A libre distribution channel sans DRM has to be the most profitable
long-term model, so long as it is tagged to a sensible pricing structure.
Better a slice of a huge non-DRM cake, then to have the whole of a tiny DRM
cake that alienates your customers.


-----Original Message-----
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of vijay chopra
Sent: Tuesday, February 13, 2007 4:07 PM
To: [email protected]
Subject: Re: [backstage] RE: [backstage] RE: [backstage] RE: [backstage] RE:
[backstage] RE: [backstage] £1.2 billion question (or RE: [backstage] BBC
Bias??? >Click and Torrents)


On 13/02/07, Richard Lockwood < [EMAIL PROTECTED]
<mailto:[EMAIL PROTECTED]> > wrote:

Your argument is that all music should be utterly free.  Which, while
a nice idea in Davetopia, or wherever you live, is completely
unworkable.
I suspect that he would like all music to be free (libre), not free
(gratis), and why would it be unworkable?
"Study Finds P2P Has No Effect on Legal Music Sales":
http://slashdot.org/article.pl?sid=07/02/13/1332214

What are the artists worried about, or more technically what are the record
labels and agents worried about, i suspect that the artists don't mind
anywhere as much as organisations like the BPI

Vijay

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