And whilst i'm at it. Martin Belam has also analysed the freebbc petition on 
currybet.
http://www.currybet.net/cbet_blog/2007/06/free_the_bbc_drm_debate.php

Hang on a minute. Didn't i make a plea yesterday not to resurrect this tired 
old debate.
Sorry.

Jem

-----Original Message-----
From: [EMAIL PROTECTED] on behalf of Jeremy Stone
Sent: Wed 6/13/2007 11:53 AM
To: [email protected]; [email protected]
Subject: RE: [backstage] www.FreeTheBBC.info
 
Ian Betteridge has critiqued the 5 claims made by http://www.freethebbc.info/ at
http://www.technovia.co.uk/?p=1180

He concludes his post with
"I'm against DRM - I'm an associate member of the Free Software Foundation, 
avoid closed formats, and contribute every month to the Open Rights Group. I 
think that DRM is a bad idea, both for our culture as a whole and content 
creators in general.  But making bogus arguments to an organisation which is in 
no position to offer most of what people think of as "its" content is simply a 
waste of effort."



Jem
-----Original Message-----
From: [EMAIL PROTECTED] on behalf of Kim Plowright
Sent: Wed 6/13/2007 11:00 AM
To: [email protected]
Subject: Re: [backstage] www.FreeTheBBC.info
 
Also

Walter Benjamin's 'The Work of Art in the Age of Mechanical Reproduction'

http://en.wikipedia.org/wiki/The_Work_of_Art_in_the_Age_of_Mechanical_Reproduction
http://www.marxists.org/reference/subject/philosophy/works/ge/benjamin.htm

"An analysis of art in the age of mechanical reproduction must do
justice to these relationships, for they lead us to an all-important
insight: for the first time in world history, mechanical reproduction
emancipates the work of art from its parasitical dependence on ritual.
To an ever greater degree the work of art reproduced becomes the work
of art designed for reproducibility. From a photographic negative, for
example, one can make any number of prints; to ask for the "authentic"
print makes no sense. But the instant the criterion of authenticity
ceases to be applicable to artistic production, the total function of
art is reversed. Instead of being based on ritual, it begins to be
based on another practice - politics."

Written, incidentally, in 1936. Pwnd.

> Required reading:
>
> Free Culture: The Nature and Future of Creativity by Lawrence Lessig
> ISBN 0143034650
>
> The Future of Ideas by Lawrence Lessig
> ISBN 0375726446

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