Thank you for this Bernhard,
   Yes indeed, Von Radolt has interesting things to say to us.
   An earlier FoMRHI joint paper explores his instructions:
   Comm 737 Von Radolts instructions to lute players (,,,1701).
   [1]https://www.fomrhi.org/uploads/bulletins/Fomrhi-044.pdf
   This paper has an English translation of Von Radolt's
    instructions  and also a commentary on them. As explained
    in the paper, the translation aimed to be literal rather literary.
    With regard to your observation about playing the concerts
   with just  one lute, here's what the translation has:
   This "Concert" is in four parts and so each lute part
   corresponds to a fiddle part, and because of the good high
   humour when one has taken a fiddle, a small bass, fiddle
   and a bass all tuned from the small lute, in this "Concert" the
   soprano part that is the small lute must at all times be set
   strongly, and so when the second and third lute are doubled
   then the first should be at least tripled, however if the second
   and third lutes are single the first must be set doubled, making
    a particularly good effect when one part is played, accordingly,
   It is still complete when three single lutes are used with the
   other parts silent, in a similar way one can nevertheless one
   time expel all but the first lute playing alone, or with two lutes,
    and it may also be well played with fiddles or oboes without
    lutes or also with lutes without fiddles.'
   In short, virtually any combination was sanctioned by the composer....
   regards
   MH

   On Monday, 5 August 2019, 19:05:02 BST, Fischer BE (Aon)
   <fischer...@aon.at> wrote:
     Dear lute friends,
     Wenzel Ludwig Edler von Radolt (Vienna, 1667 to 1716), an
     Austro-Italian aristrocratic descent, was a lutenist and composer in
     Vienna at the Imperial Court. He claims to have be inspired by the
     french Dufault. In 1701 he presented his lute concerts to Joseph I
     (Holy Roman Emperor since 1705). In total he printed 12 so-called
     'Concerti' in the collection "Die Aller Treüeste Freindin" (Die
   Aller
     Treueste Freundin). In his "Die Aller Treüeste Freindin", the lute
   was
     used for the first time as an obligato instrument in the string
     ensemble. These concerts document the use of Baroque lutes in
   different
     sizes.
     However, in the foreword to "Die Aller Treüeste Freindin" he
   announces
     that it was his first intension to composed pieces for the solo lute,
     and later then he added the other instruments. Accordingly he
     encourages other lutenists to play the lute parts of his 'Concerti'
   on
     the solo instrument with the words "Es betrügen sich auch gar
   wirklich
     jene, so glauben möchten, daà weillen dieses Werkh zum Concerten
     gemacht, man nicht ein jedes Stückh allein zu seiner
   Zeit-Vertreibung,
     schlagen könnte, in denen einem jeden daà Widerspil & Effect zeigen
     wird, denn dieses allein zu schlagen mein erstes absehen gewesen
   ist".
     (While I am fully capable to understand this old German language and
     its meaning, I am NOT capable translating this phrase into propper
     English. Sorry. You have to trust me).
     According I tried my best in home-recording some of his pieces from
   the
     lute concerto in d-minor on the solo baroque lute.
     In his compositions Radolt makes frequent use of separate playing the
     main and the octave strings of the bass courses, as well actively
     stopping individual strings.
     I play all pieces on my gut strung 11-course Frei lute (392 Hz.
   String
     length is 67 cm, build by Mr. Renatus Lechner), which is very close
   to
     Radolt's recommendation to play the lute piece on a small instrument.
     Please remember, I am full-time biochemist in Vienna, Austria. The
     audios are available in my "Viennalute A" channel

   [1][2]https://soundcloud.com/user-95241032/sets/lute-concerto-in-d-mino
   r-c
     omposed-by-wenzel-ludwig-edler-von-radolt-1701
     I appriate your critical comments, and please: the much more capables
     and professionals among you/us should take on this inspiration to
   play
     the baroque lute music composed by Wenzel Ludwig Edler von Radolt
   more
     than 300 years ago.
     Ernst Bernhard, Vienna.
     Please also visit my other lute channels "Viennalute 1"
     [2][3]https://soundcloud.com/user-32080944 / and "Viennalute 2"
     [3][4]https://soundcloud.com/user-731566193
     --
   References
     1.
   [5]https://soundcloud.com/user-95241032/sets/lute-concerto-in-d-minor-c
   omposed-by-wenzel-ludwig-edler-von-radolt-1701
     2. [6]https://soundcloud.com/user-32080944 /
     3. [7]https://soundcloud.com/user-731566193
   To get on or off this list see list information at
   [8]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. https://www.fomrhi.org/uploads/bulletins/Fomrhi-044.pdf
   2. https://soundcloud.com/user-95241032/sets/lute-concerto-in-d-minor-c
   3. https://soundcloud.com/user-32080944
   4. https://soundcloud.com/user-731566193
   5. 
https://soundcloud.com/user-95241032/sets/lute-concerto-in-d-minor-composed-by-wenzel-ludwig-edler-von-radolt-1701
   6. https://soundcloud.com/user-32080944
   7. https://soundcloud.com/user-731566193
   8. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

Reply via email to